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  1. 藏品/
  2. 克利夫蘭藝術博物館/
  3. The Circumcision
The Circumcision, Albrecht Dürer, c. 1504–1505
Albrecht Dürer肖像Albrecht Dürer德国, 1471–1528

The Circumcision

c. 1504–1505 · Print

可否一睹真容?

眼下不见客

克利夫蘭藝術博物館

克利夫兰, 美國

仍属馆藏,只是目前没有展出。

核实
3天前
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

关于作品

These eight woodcuts (1959.99.8-15) progress from Gabriel’s announcement to Mary that she would bear the Son of God, to the events of her early motherhood and beyond. This included the joy of sharing her pregnancy with her cousin Elizabeth, Jesus’s birth, and the subsequent arrival of the magi. After Jesus’s circumcision and presentation at the temple the Holy Family fled to Egypt to avoid Herod and stayed there for several years. The seemingly out of place last scene shows a glimpse of their daily life in Egypt as Joseph continues his carpentry and Mary spins wool. The Holy Family is surrounded by angels and helpful putti and are blessed by God the Father and the Holy Spirit in the form of a dove overhead.

克利夫蘭藝術博物館

作品信息

c. 1504–1505
14711528
馆藏编号
1959.99.11

已收入目录

版画木刻文艺复兴16 世纪Germany, early 16th Century

出处

  • 克利夫蘭藝術博物館
  • 图片: 克利夫蘭藝術博物館 — Museum open access

与此同时,在Albrecht Dürer的生活中

完整生平
  1. 1501–1502

    In the circle of Nuremberg's humanists

    Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.

  2. 1502

    Death of his father

    Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.

  3. 1504 · 工作地

    Lutherstadt Wittenberg

  4. 1505

    Second journey to Italy

    Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.

  5. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  6. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

Albrecht Dürer的更多作品

全部作品
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · 大都會藝術博物館

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · 大都會藝術博物館

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

聖母與聖子

c. 1496/1499 · 国家美术馆

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · 国家美术馆

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · 大都會藝術博物館

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · 克利夫蘭藝術博物館

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · 克利夫蘭藝術博物館

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · 克利夫蘭藝術博物館

同馆近邻:克利夫蘭藝術博物館

博物馆页面
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

梅伦科利亚一世, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502