Nemesis (The Great Fortune)
关于作品
In this print Dürer combines Nemesis, the classical goddess of retribution, whose goblet and bridle represent favor and castigation, with the traditional winged figure of Fortune standing on a globe. The landscape beneath the figure has been identified as a view of the South Tyrolean town on Chiusa (or Klausen), which Dürer presumably drew during his first journey to Venice in 1494-95. In his landscape, Dürer combines both a panoramic vastness and an amazing amount of identifiable detail. It looks remarkably like a view a modern traveler has from an airplane.
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作品信息
- 馆藏编号
- 1943.3.3485
与此同时，在Albrecht Dürer的生活中
完整生平1500
Jacopo de' Barbari and the secret of proportion
The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.
1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.
1504 · 工作地
Lutherstadt Wittenberg
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
