William Blake英国, 1757–1827The Canterbury Pilgrims
能看到吗？
目前未展出
《The Canterbury Pilgrims》现在在哪里？ 收藏方: 国家美术馆, 華盛頓哥倫比亞特區. 目前未展出. 核实 2026年9月29日.
華盛頓哥倫比亞特區, 美國
仍属馆藏，只是目前没有展出。
- 核实
- 此状态始于
- 出处
- 博物馆
作品信息
- 馆藏编号
- 1943.3.8992
画面内容
已收入目录
出处
- 国家美术馆
- 图片： 国家美术馆 — Museum open access
William Blake当时的生活
完整生平1780–1808
Exhibits six times at the Royal Academy
Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.
1803年10月–1820 · 居住
South Molton Street
c. 1808
Polemical annotations to Reynolds's “Discourses”
Around 1808 Blake gave vigorous expression to his views on art in an extensive series of polemical annotations to Sir Joshua Reynolds's “Discourses”, denouncing the Royal Academy as a fraud and proclaiming that to generalise is to be an idiot.
1809
An exhibition in his brother's shop: nothing sold
Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.
1809
The “Descriptive Catalogue”: an analysis of Chaucer
For the exhibition Blake wrote his “Descriptive Catalogue” (1809), which contains what Anthony Blunt called a “brilliant analysis” of Chaucer and is regularly anthologised as a classic of Chaucer criticism; it also contains detailed explanations of his other paintings.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
