The Virgin and Child in Egypt, William Blake, 1810
William Blake肖像William Blake英国, 1757–1827

The Virgin and Child in Egypt

1810 · Tempera painting · 76.5 × 63.5 cm

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《The Virgin and Child in Egypt》现在在哪里? 维多利亚和阿尔伯特博物馆, Paintings, Room 82, The Edwin and Susan Davies Galleries, 倫敦. 是,正在展出. 核实 2026年9月25日.

维多利亚和阿尔伯特博物馆

倫敦, 英国

展厅Paintings, Room 82, The Edwin and Susan Davies Galleries

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关于这幅画

This is one of four similar paintings that Blake made for his faithful patron Thomas Butts. The others depict Adam, Eve and Christ. As a group, they show the fall and redemption of mankind. Here Blake depicted the Virgin Mary and Jesus in an Egypt of the artist's imagination, under the palm tree where they are said to have sheltered. The Pyramids are in the distance, and the Nile and walls of Cairo in the background.

维多利亚和阿尔伯特博物馆

作品信息

馆藏编号
P.25-1953

画面内容

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出处

William Blake当时的生活

完整生平
  1. 1780–1808

    Exhibits six times at the Royal Academy

    Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.

  2. 1803年10月–1820 · 居住

    South Molton Street

  3. c. 1808

    Polemical annotations to Reynolds's “Discourses”

    Around 1808 Blake gave vigorous expression to his views on art in an extensive series of polemical annotations to Sir Joshua Reynolds's “Discourses”, denouncing the Royal Academy as a fraud and proclaiming that to generalise is to be an idiot.

  4. 1809

    An exhibition in his brother's shop: nothing sold

    Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.

  5. 1809

    The “Descriptive Catalogue”: an analysis of Chaucer

    For the exhibition Blake wrote his “Descriptive Catalogue” (1809), which contains what Anthony Blunt called a “brilliant analysis” of Chaucer and is regularly anthologised as a classic of Chaucer criticism; it also contains detailed explanations of his other paintings.

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