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  3. The Bewitched Mill
The Bewitched Mill, Franz Marc, 1913
Franz Marc肖像Franz Marc德国, 1880–1916

The Bewitched Mill

1913 · Painting

可否一睹真容?

眼下不见客

芝加哥藝術博物館

芝加哥, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年9月28日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于这幅画

Among the German Expressionists, artists who used strong color and exaggerated form to express emotional content, Franz Marc was especially committed to his empathic interest in the life of animals. "Is there a more mysterious idea," he asked, "than to imagine how nature is reflected in the eyes of animals?" Beginning in 1905, he devoted himself to representing the world with a fresh and purifying vision. Marc painted The Bewitched Mill following a sojourn to the Italian town of Merano in the southern Tirol. The work's title refers to the "magical" harmony he sensed there between human life, represented by the houses and mill on the left, and nature, embodied by the lyrical region of trees and animals on the right.

芝加哥藝術博物館 · CC BY 4.0

作品信息

1913 · 33岁
18801916
馆藏编号
1931.522

画面内容

Century of ProgressWorld's fairsChicago World's FairsDeers动物界Bird树CitiesMechanicalMillsRivers水

已收入目录

绘画油画德国绘画现代主义20 世纪德国

出处

  • 芝加哥藝術博物館:博物馆的开放数据 · 8天前获取
  • 图片: 芝加哥藝術博物館 — CC0

与此同时,在Franz Marc的生活中

完整生平
  1. winter 1910 – 1911

    Winter 1910–11: the turn to his mature manner

    In the view of the writer Morgan Meis, Marc became an artist this very winter: out of earlier confusion comes a unified vision, his animals emerge pure and true from the canvas, and colour becomes the main thing.

  2. February 1911

    Meeting Wassily Kandinsky

    Although Marc joined the association in autumn 1910, he meets its leader, the Russian abstract painter Wassily Kandinsky, only in February 1911.

  3. December 1911

    Leaving the NKVM and founding Der Blaue Reiter

    In December 1911 Marc, together with Macke and Kandinsky, breaks away from the Neue Künstlervereinigung and organises his own group, Der Blaue Reiter; he is also credited with founding the journal that became the centre of the circle.

  4. December 1911 – January 1912

    The first Blue Rider exhibition

    Several of Marc's works are shown at the first Blue Rider exhibition at the Thannhauser Galleries in Munich, which has been called the apex of German Expressionism.

  5. 1913

    Married: Maria Marc

  6. 1914

    Called up at the start of the First World War

    At the outbreak of war in 1914 Marc, like August Macke, is mobilised and sent to the front; early biographers thought he had volunteered, but conscription was practically impossible to avoid.

Franz Marc的更多作品

全部作品
Weasels at Play, Franz Marc, 1911

Weasels at Play

1911 · 国家美术馆

Grazing Horses IV, Franz Marc, 1911

Grazing Horses IV

1911 · 哈佛藝術博物館

Vrouw met twee schapen, Franz Marc, 1890 - 1916

Vrouw met twee schapen

1890 - 1916 · 阿姆斯特丹国家博物馆

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I), Franz Marc, (1901)

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I)

(1901) · 未展出 · 現代藝術博物館

Bookplate (Exlibris), Franz Marc, (c. 1902)

Bookplate (Exlibris)

(c. 1902) · 未展出 · 現代藝術博物館

Bookplate Paul Marc I (Ex Libris Paul Marc I), Franz Marc, (1902)

Bookplate Paul Marc I (Ex Libris Paul Marc I)

(1902) · 未展出 · 現代藝術博物館

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II), Franz Marc, (c. 1902)

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II)

(c. 1902) · 未展出 · 現代藝術博物館

Book Plate Franz Marc II (Ex Libris Franz Marc II), Franz Marc, (1905)

Book Plate Franz Marc II (Ex Libris Franz Marc II)

(1905) · 未展出 · 現代藝術博物館

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