George Bellows美国, 1882–1925Tennis
关于作品
During the late 1910s, while summer vacationing with his family in the small town of Middletown, Rhode Island, Bellows took time to attend tennis matches hosted nearby at the Newport Casino, a mecca for high-society locals and visitors. In two resultant lithographs, Tennis and The Tournament, greater emphasis is placed on the fashionable spectators assembled to watch the matches than on the sporting activity itself. Bellows appears to imply that at such elite gatherings, audiences were present not only to see, but to be seen.
克利夫蘭藝術博物館
作品信息
- 馆藏编号
- 1937.508
已收入目录
出处
- 克利夫蘭藝術博物館: the museum's own open data · 7天前获取
- 图片： 克利夫蘭藝術博物館 — Museum open access
与此同时，在George Bellows的生活中
完整生平1918
The quarrel with Pennell: who may paint a war
The artist Joseph Pennell argues that, since Bellows did not witness the events he painted, he has no right to paint them; Bellows replies that he had not known Leonardo da Vinci “had a ticket to paint the Last Supper”.
1919
Teaches at the Art Institute of Chicago
In 1919 he teaches at the Art Institute of Chicago.
1920
Builds a house in Woodstock
From 1920 he spends nearly half of each year in Woodstock, New York, where he builds a home for his family.
1920
“Men of the Docks” bought for the Maier Museum
Students and locals raise $2,500 to buy “Men of the Docks” for the Maier Museum of Art, the first masterpiece in its collection (now at Randolph College).
.jpg?width=1280)
