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  3. Study of a snake
Study of a snake, Beatrix Potter, ca. 1880-1890
Beatrix Potter肖像Beatrix Potter1866–1943

Study of a snake

ca. 1880-1890 · Watercolour · 16 × 22 cm

可否一睹真容?

眼下不见客

维多利亚和阿尔伯特博物馆

倫敦, 英国

仍属馆藏,只是目前没有展出。

核实
12天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于作品

Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.

From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned.

继续阅读

As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely. She made numerous carefully observed studies of animals and plants from life.

This study of a snake is characteristic of Potter’s early work and may possibly have been made during on her visits to London’s Zoological Gardens.

维多利亚和阿尔伯特博物馆

作品信息

ca. 1880-1890
18661943
馆藏编号
BP.417

与此同时,在Beatrix Potter的生活中

完整生平
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  3. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  4. 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

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该主题的全部作品
  • 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  • summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

  • 画面内容

    Natural history动物界ReptilesSnakes树

    已收入目录

    素描与水彩水彩印象派19 世纪British

    出处

    • 维多利亚和阿尔伯特博物馆
    • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca. 1890s · 未展出 · 维多利亚和阿尔伯特博物馆

    Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Pumpkin carriage drawn by three pairs of rabbits

    ca.1890s · 未展出 · 维多利亚和阿尔伯特博物馆

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca.1890s · 未展出 · 维多利亚和阿尔伯特博物馆

    Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

    Cecily Parsley’s Nursery Rhymes

    early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · 未展出 · 维多利亚和阿尔伯特博物馆

    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    drawing, Beatrix Potter, ca.1890s-1919

    Beatrix Potter

    drawing, ca.1890s-1919

    未展出 · 维多利亚和阿尔伯特博物馆

    Drawing, Beatrix Potter, August-October 1884

    Beatrix Potter

    Drawing, August-October 1884

    未展出 · 维多利亚和阿尔伯特博物馆

    drawing, Beatrix Potter, ca.1876

    Beatrix Potter

    drawing, ca.1876

    未展出 · 维多利亚和阿尔伯特博物馆

    drawing, Beatrix Potter, 02/1899

    Beatrix Potter

    drawing, 02/1899

    未展出 · 维多利亚和阿尔伯特博物馆

    drawing, Beatrix Potter, 1897-1898

    Beatrix Potter

    drawing, 1897-1898

    未展出 · 维多利亚和阿尔伯特博物馆

    Magnified studies thought to show water-fleas and a midge lava, Beatrix Potter, ca. 1887

    Beatrix Potter

    Magnified studies thought to show water-fleas and a midge lava, ca. 1887

    未展出 · 维多利亚和阿尔伯特博物馆

    Crow with cheese in its beak, Beatrix Potter, 1919

    Beatrix Potter

    Crow with cheese in its beak, 1919

    未展出 · 维多利亚和阿尔伯特博物馆

    Study of harebells and marguerites, Beatrix Potter, 5 July 1880

    Beatrix Potter

    Study of harebells and marguerites, 5 July 1880

    未展出 · 维多利亚和阿尔伯特博物馆