
Dante Gabriel Rossetti英格兰, 1828–1882Study for "Venus Verticordia"
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《Study for "Venus Verticordia"》现在在哪里? 收藏方: 克利夫蘭藝術博物館, 克利夫兰. 目前未展出. 核实 2026年10月12日.
克利夫兰, 美國
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- 核实
- 此状态始于
- 出处
- 博物馆
作品信息
- 馆藏编号
- 1946.345
已收入目录
出处
- 克利夫蘭藝術博物館
- 图片: 克利夫蘭藝術博物館 — Museum open access
Dante Gabriel Rossetti当时的生活
完整生平11 February 1862
Death of Elizabeth Siddal and his manuscripts in her grave
On 11 February 1862, two years after the wedding, Elizabeth Siddal died of an overdose of laudanum, the alcoholic tincture of opium; Rossetti sank ever deeper into depression and, when she was buried at Highgate Cemetery, interred the bulk of his unpublished poems with her, though he later had them dug up.
1862–1866
Designing his sister Christina’s books
With his sister, the poet Christina Rossetti, Dante Gabriel designed and illustrated the first edition of “Goblin Market” (1862) and “The Prince’s Progress” (1866); his key bindings were designed between 1861 and 1871.
1862–1882
A Tudor house at 16 Cheyne Walk
After his wife’s death Rossetti leased a Tudor house at 16 Cheyne Walk in Chelsea, where he lived for twenty years surrounded by extravagant furnishings and a parade of exotic birds and animals.
1863–1865
Fanny Cornforth: “housekeeper” and model
Rossetti kept Fanny Cornforth — described by William Allingham as his “housekeeper” — in her own establishment nearby in Chelsea and between 1863 and 1865 painted many voluptuous images of her.
1864–1867
The first commissions from the patron Leyland
In 1864–1867 Rossetti began to receive his first commissions from the patron and collector Frederick Richards Leyland, who collected Renaissance art and Pre-Raphaelite painting.
1865
Alexa Wilding: a meeting on the Strand
In 1865 Rossetti spotted the auburn-haired Alexa Wilding, a dressmaker and would-be actress, one evening on the Strand: she agreed to sit for him the next day but failed to arrive, and weeks later he saw her again, jumped from his cab and persuaded her to go straight to his studio. He paid her a weekly fee to sit for him exclusively, and she sat for more of his finished works than any other model.












