Studie für „Mitleid“ im Beethovenfries, Gustav Klimt, 1901
Gustav Klimt肖像Gustav Klimt奥地利, 1862–1918

Studie für „Mitleid“ im Beethovenfries

1901 · Drawing

能看到吗?

不明

《Studie für „Mitleid“ im Beethovenfries》现在在哪里? 收藏方: 阿尔贝蒂娜博物馆, 維也納. 不明.

阿尔贝蒂娜博物馆

維也納, 奧地利

所有者已知,目前是否展出尚不清楚。

此状态始于
出处
博物馆
嵌入

作品信息

已收入目录

出处

Gustav Klimt当时的生活

完整生平
  1. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  2. 1898/1899

    Son born: Gustav Ucicky

  3. 1900

    “Philosophy” at the Secession: the scandal

    First shown at the Secession's seventh exhibition, “Philosophy” provoked protests from the public and university professors, and a scandal unprecedented in Vienna brought the exhibition a record 35,000 visitors. Three weeks after the opening the painting went to the World Fair in Paris and won a gold medal.

  4. 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

  5. 1901

    “Medicine”: accused of a “triumph of death”

    The Secession's tenth exhibition showed “Medicine” with the goddess Hygieia; a feuilleton in the Neue Freie Presse accused Klimt of depicting a “triumph of death” instead of medicine's victories. In an interview about these scandals he declared that what mattered to him was not how many people liked a picture but who they were.

  6. 1903

    His first solo show at the Secession

    The Secession's first solo exhibition was devoted to Klimt and proved exceptionally successful: the artist earned 36,000 kronen.

全部作品

来自阿尔贝蒂娜博物馆的收藏

博物馆页面