Gustav Klimt奥地利, 1862–1918Hope, II
关于这幅画
Hope II (German: Die Hoffnung II) is a 1907–1908 oil-on-canvas painting with gold and platinum, by the Austrian symbolist painter Gustav Klimt. It depicts a pregnant woman with closed eyes and was the second of Klimt's works to focus on a pregnant woman, both depicting Herma, one of his favourite models. It was originally entitled Vision by Klimt, but has become known as Hope II after the earlier work Hope, which is now distinguished as Hope I. Hope II was acquired by the Museum of Modern Art in New York City in 1978.
作品信息
- 馆藏编号
- 468.1978
已收入目录
出处
- 現代藝術博物館
- 图片： 現代藝術博物館 — © the artist or rights holder
与此同时，在Gustav Klimt的生活中
完整生平1900–1907
He returns the advance and keeps the paintings
The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.
1905
Klimt and his group leave the Secession
Klimt and his “stylist” followers, who held that art should enter every sphere of life, fell out with the “naturalists”; the decision against Klimt's group was carried by a single vote. For the next three years the group had no joint exhibitions.
1906
The “Kunstschau” group
A year after the split Klimt formed the “Kunstschau” group, or “Klimt group”, which included Carl Moll, Otto Wagner and other leading Austrian artists.
1 June – 16 November 1908
The first Vienna Art Show
For the sixtieth anniversary of Franz Joseph's reign pavilions with 54 rooms were built on a temporary site and over 900 works shown. Room 22, which Peter Altenberg called “the church of modern art named after Gustav Klimt”, held “The Kiss”, “Adele Bloch-Bauer I”, “Danaë” and “The Three Ages of Woman”.
1909
The second Vienna Art Show
The second generation of modernists was represented by Kokoschka and Egon Schiele, and Klimt showed “Judith II” and “Hope II”. The works of Van Gogh, Munch, Gauguin, Vallotton, Bonnard and Matisse gave him the impulse for a new phase, but he never organized exhibitions again.
1910
Klimt at the Venice Biennale
Klimt's exhibition at the 1910 Venice Biennale influenced the artistic scene of Venice; the Italian Liberty artists Galileo Chini and Vittorio Zecchin were among those he influenced.
