St Mary Magdelene
可否一睹真容？
眼下不见客
维多利亚和阿尔伯特博物馆
倫敦, 英国
仍属馆藏，只是目前没有展出。
- 核实
- 此状态始于
- 出处
- 博物馆自己的馆藏数据
About the sculpture
This ivory statuette of the reclining St Mary Magdalene was made in about 1650 in Goa. This presumably originally formed part of an unusually large Good Shepherd group. Goa was the second base in India to be established by the Portuguese, having been conquered by Alfonso de Albuquerque (about 1453-1515) during the reign of Manuel I of Portugal initially in 1510, and then reconquered in 1512. Portugal was interested first and foremost in trade, and the discovery of India was motivated by a desire to dominate trade-routes. But the Christian settlers and missionaries were also keen to convert the native populace to Christianity, and religious images in ivory were commissioned to assist in this. Some were exported to Europe, but others evidently remained and were used for evangelical purposes.
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From the sixteenth century onwards, the four main missionary Orders (Augustinians, Jesuits, Dominicans and Franciscans) built churches and aimed to convert the inhabitants of India. Despite the control of the Church over subject matter, the iconography of Indian art also permeated Christian ivories; the most obvious and at the same time strangest instance of this is the 'Mount of the Good Shepherd'. This is a common subject in Indo-Portuguese ivories, and seems to be unique to Goa. Although the precise parallels and/or sources in India are uncertain, this distinctive composition recurs again and again in Goan ivories, and the combination of the Christ Child in the guise of the shepherd with saints, a fountain, vegetation and animals suggest the richness of the natural world, in conjunction with Christian imagery.
维多利亚和阿尔伯特博物馆
作品信息
- 馆藏编号
- A.135-1929
What it shows
已收入目录
出处
- 维多利亚和阿尔伯特博物馆: the museum's own open data · 10天前获取
- 图片： 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
