Lucas van Leyden荷兰, 1494–1533Solomon's Idolatry
关于作品
One can assume that the popularity of the earlier Power of Women series (on view nearby) inspired Lucas to produce another similar group. Also consisting of six subjects but somewhat smaller in size, this set reveals Lucas's increased ability to integrate figures more naturally into a setting. This scene, in which one of his wives persuades Solomon to worship idols, also demonstrates a desire to follow Albrecht Dürer's systematic style of hatching to produce tonal effects (see Dürer's The Large Passion: The Last Supper).
克利夫蘭藝術博物館
作品信息
- 馆藏编号
- 1960.156
已收入目录
出处
- 克利夫蘭藝術博物館
- 图片： 克利夫蘭藝術博物館 — Museum open access
与此同时，在Lucas van Leyden的生活中
完整生平1514
Master of the Guild of Saint Luke in Leiden
He became a master of the Guild of Saint Luke in Leiden.
1515
Marriage to Elisabeth van Boschuysen
He married Elisabeth van Boschuysen of a patrician Leiden family; her father Jacob had been burgomaster and sheriff. The marriage remained childless.
1517
Illustrations for Aurelius's Chronicles
He cut woodcut illustrations for the Chronicles of Holland, Zeeland and Friesland by the humanist Cornelius Aurelius.
8 – 21 June 1521
Meeting Dürer in Antwerp
During Dürer's Netherlandish journey the two artists met in Antwerp between 8 and 21 June 1521; they exchanged prints, and on this occasion Dürer drew a portrait of Lucas van Leyden.
