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  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. Sleeping Cupid
Sleeping Cupid, Francesco Fanelli, 1635-1640
Francesco Fanelli肖像Francesco Fanelli意大利, 1577

Sleeping Cupid

1635-1640 · Sculpture · 11.1 × 12 cm

可否一睹真容?

可以,正在迎客

维多利亚和阿尔伯特博物馆

倫敦, 英国

展厅British Galleries, Room 56, The Djanogly Gallery

正对公众展出。由谁担保,见下文。

核实
12天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于这件雕塑

Object Type

The bronze is signed underneath with a single F, while another version in a private collection in England is marked FFF, representing the sculptor's name and city of origin (Florence). The monogram was added in the wax before casting. This signed Cupid is rare and of high quality, but Fanelli's bronzes were reproduced in some numbers, of varying quality, even after his death.

People

Fanelli was born in Florence. He worked in Genoa, using marble, ivory and silver, as well as bronze, before coming to England in the early 1630s. Although he was said to have 'livd and dyd in England', it has sometimes been assumed that he left the country at the outbreak of the Civil War. The recent discovery of his baptismal records, revealing his birth date of 1577, make it more likely that he died around 1641, when he was last documented.

Time

继续阅读

In the late 16th century, the sculptor Giovanni Bologna (1529-1608, active in Florence), and his followers were responsible for a significant output of sophisticated and high quality statuettes. These were dispersed throughout Europe and Charles I inherited a group from his elder brother, Henry, who died in 1612. They doubtless influenced both the King's taste and Francesco Fanelli's production.

Materials & Making

Bronze is an alloy of copper and tin, though its exact content can vary. Fanelli's 'bronzes' actually appear to be brass, which is a copper-zinc alloy, with a dark lacquer applied to the surface.

The lost wax method of casting is a complicated procedure that creates a bronze sculpture using a wax model taken from the original design. In Fanelli's workshop, waxes were cast in moulds taken from individual elements of the original, which could have been made of clay or wax. By assembling the wax sections slightly differently, Fanelli was able to produce variations of the same composition.

维多利亚和阿尔伯特博物馆

作品信息

馆藏编号
A.2&:2-1981

画面内容

Cupid

已收入目录

雕塑青铜巴洛克17 世纪伦敦

出处

  • 维多利亚和阿尔伯特博物馆
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London

Francesco Fanelli的更多作品

全部作品
Galloping horse, Francesco Fanelli, second half of the 17th century

Galloping horse

second half of the 17th century · 大都會藝術博物館

David and Goliath, Francesco Fanelli, 17th century cast

David and Goliath

17th century cast · 大都會藝術博物館

Mercury and Cupid, Francesco Fanelli, late 1630s

Mercury and Cupid

late 1630s · 大都會藝術博物館

Cupid on Horseback, Francesco Fanelli, 1632-1639

Cupid on Horseback

1632-1639 · 维多利亚和阿尔伯特博物馆

A mounted Turk attacked by a Lion, Francesco Fanelli, ca. 1632-1639

A mounted Turk attacked by a Lion

ca. 1632-1639 · 维多利亚和阿尔伯特博物馆

St George and the Dragon, Francesco Fanelli, 1632-1639

St George and the Dragon

1632-1639 · 维多利亚和阿尔伯特博物馆

King Charles I, Francesco Fanelli, ca. 1635-1640

King Charles I

ca. 1635-1640 · 维多利亚和阿尔伯特博物馆

Horse Drinking from a Spring, Francesco Fanelli, ca. 1635-1640

Horse Drinking from a Spring

ca. 1635-1640 · 维多利亚和阿尔伯特博物馆

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