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首页地图目录
  1. 藏品/
  2. 奥地利美景宫美术馆/
  3. Seite 37
Seite 37, Gustav Klimt, 1898
Gustav Klimt肖像Gustav Klimt奥地利, 1862–1918

Seite 37

1898 · Sketchbook

可否一睹真容?

未知

奥地利美景宫美术馆

維也納, 奧地利

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1898 · 36岁
18621918

已收入目录

素描与水彩印象派19 世纪

出处

  • 奥地利美景宫美术馆
  • 图片: 奥地利美景宫美术馆 — CC BY-SA 4.0

与此同时,在Gustav Klimt的生活中

完整生平
  1. 1897

    First president of the Vienna Secession

    The Secession began as a union of fifty founders and Klimt was chosen as its first president: he was sponsored by the influential Carl Moll, and was the eccentric, taciturn leader regarded as steadfast and authentic. In the salon of Carl and Anna Moll he met Viennese society and began painting portraits of its ladies.

  2. from the late 1890s

    Summers on the Attersee

    From the late 1890s Klimt spent every summer with the Flöge family on the Attersee and painted landscapes there — the only genre besides figure painting that seriously interested him. The locals called him the “forest demon”; space in these landscapes is flattened so completely into one plane that he is believed to have painted them through a telescope.

  3. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  4. 1898/1899

    Son born: Gustav Ucicky

  5. 1900

    “Philosophy” at the Secession: the scandal

    First shown at the Secession's seventh exhibition, “Philosophy” provoked protests from the public and university professors, and a scandal unprecedented in Vienna brought the exhibition a record 35,000 visitors. Three weeks after the opening the painting went to the World Fair in Paris and won a gold medal.

  6. 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

Gustav Klimt的更多作品

全部作品
Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13

Mäda Primavesi (1903–2000)

1912–13 · 大都會藝術博物館

Serena Pulitzer Lederer (1867–1943), Gustav Klimt, 1899

Serena Pulitzer Lederer (1867–1943)

1899 · 大都會藝術博物館

Hope, II, Gustav Klimt, 1907-08

Hope, II

1907-08 · 現代藝術博物館

The Park, Gustav Klimt, 1910 or earlier

The Park

1910 or earlier · 現代藝術博物館

Baby (Cradle), Gustav Klimt, 1917/1918

Baby (Cradle)

1917/1918 · 国家美术馆

Pear Tree, Gustav Klimt, 1903 (reworked by the artist 1903/1918)

Pear Tree

1903 (reworked by the artist 1903/1918) · 哈佛藝術博物館

Studie van een in een plaid gewikkelde, rustende vrouw, Gustav Klimt, 1872 - 1918

Studie van een in een plaid gewikkelde, rustende vrouw

1872 - 1918 · 阿姆斯特丹国家博物馆

Studie für „Bildnis Johanna Staude“, Gustav Klimt

Studie für „Bildnis Johanna Staude“

阿尔贝蒂娜博物馆

来自奥地利美景宫美术馆的收藏

博物馆页面
Die Ebene von Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Die Ebene von Auvers, 1890

Stillleben mit fünf Flaschen, Vincent van Gogh, 1884

Vincent van Gogh

Stillleben mit fünf Flaschen, 1884

Eine Allee in Monets Garten in Giverny, Claude Monet, 1902

Claude Monet

Eine Allee in Monets Garten in Giverny, 1902

Der Koch (Le Père Paul), Claude Monet, 1882

Claude Monet

Der Koch (Le Père Paul), 1882

Angler auf der Seine bei Poissy, Claude Monet, 1882

Claude Monet

Angler auf der Seine bei Poissy, 1882

Amalie Zuckerkandl, Gustav Klimt, 1917–1918

Gustav Klimt

Amalie Zuckerkandl, 1917–1918

Dame in Weiß, Gustav Klimt, 1917–1918

Gustav Klimt

Dame in Weiß, 1917–1918

Johanna Staude, Gustav Klimt, 1917–1918

Gustav Klimt

Johanna Staude, 1917–1918