Gustave Moreau法国, 1826–1898Sappho
可否一睹真容？
眼下不见客
维多利亚和阿尔伯特博物馆
倫敦, 英国
仍属馆藏，只是目前没有展出。
- 核实
- 9天前
- 此状态始于
- 2026年9月25日
- 出处
- 博物馆自己的馆藏数据
关于作品
This watercolour is part one of three scenes surrounding the suicide of Greek poetess, Sappho, a subject that Moreau frequently represented. It shows the Ancient poetess Sappho on the top of a cliff lamenting over the desertion of her lover, Phaon. The lyre, slung over her shoulder, is the traditionnal attribute of poets. As a precurser to Symbolism, Moreau sought inspiration from mythological, literary, and biblical references.
维多利亚和阿尔伯特博物馆
作品信息
- 馆藏编号
- P.11-1934
What it shows
已收入目录
出处
- 维多利亚和阿尔伯特博物馆: the museum's own open data · 9天前获取
- 图片： 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
与此同时，在Gustave Moreau的生活中
完整生平1859–1888 · 工作地
Paris
1869
The Salon of 1869: “Prometheus” and severe criticism
“Prometheus” received a medal at the Salon of 1869, but criticism in the press was severe, and Moreau did not submit paintings to the Salon again until 1876.
1870–1875
Years without exhibiting: renewing his art
Disturbed by criticism that his work had become formulaic, Moreau stopped exhibiting for a few years and concentrated on renewing his art.
