Saint Mary Magdalen, Simon Vouet, c. 1630
Simon Vouet肖像Simon Vouet法国, 1590–1649

Saint Mary Magdalen

c. 1630 · Painting

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《Saint Mary Magdalen》现在在哪里? 克利夫蘭藝術博物館, 217 Italian Baroque, 克利夫兰. 是,正在展出. 核实 2026年9月29日.

克利夫蘭藝術博物館

克利夫兰, 美國

展厅217 Italian Baroque

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关于这幅画

Simon Vouet worked in Rome for several years before he was summoned back to France in 1627 to serve as court painter to King Louis XIII. This painting, executed soon after his return, reveals how skillfully Vouet adapted his Italian experiences to local tastes: the focus on a single monumental figure, positioned close to the picture plane, reflects the influence of Caravaggio, but the vivid pastel colors accord with the French preference for a brighter palette. Representations of the penitent Magdalene as a hermit—expressing Christian devotion but also sensuality—were exceedingly popular in the 1600s.

克利夫蘭藝術博物館

作品信息

馆藏编号
1988.108

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出处

Simon Vouet当时的生活

完整生平
  1. 1627–1649

    Post: Premier peintre du Roi

  2. 1630

    Lodgings and a studio in the Louvre

    Vouet was given lodgings and a studio in the Louvre; his Paris workshop trained a whole school of French painters of the next generation — among its pupils was André Le Nôtre, creator of the gardens of Versailles, while Michel Dorigny and François Tortebat became the master's sons-in-law.

  3. 1631

    Decorating the châteaux and mansions of the nobility

    Vouet decorated the château of the président de Fourcy at Chessy, the hôtel Bullion, Marshal d'Effiat's château at Chilly, the hôtel of the Duc d'Aumont, the Séguier chapel and the gallery of the Château de Wideville. Of his major decorative schemes only two survive, at the châteaux of Colombes and Chessy.

  4. 1632

    Working for Cardinal Richelieu

    Vouet worked for Cardinal Richelieu at the Palais-Royal and the Château de Malmaison.

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