Pines under the Petit Charmoz, John Ruskin, ca.1856
John Ruskin肖像John Ruskin英格兰, 1819–1900

Pines under the Petit Charmoz

ca.1856 · Watercolour · 49 × 34 cm

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作品信息

馆藏编号
E.405-1986

已收入目录

出处

John Ruskin当时的生活

完整生平
  1. 1834–1900 · 工作地

    Great Britain

  2. 1850s

    Patron of Hunt, Rossetti and Burne-Jones

    Ruskin continues to support Holman Hunt and Rossetti, provides an annuity of £150 in 1855–57 to Rossetti's wife Elizabeth Siddal (and pays for Henry Acland's medical care of her), and gives critical and financial help to John Brett, John William Inchbold and Edward Burne-Jones, whom he calls “Brother Ned”. His father disapproves of such friends — a further cause of tension between them.

  3. April – July 1854

    Effie leaves Ruskin and the marriage is annulled

    Suffering from illness and from fierce quarrels with her husband and his overly protective parents, Effie goes to her own parents in Scotland; she and Millais have fallen in love, and her leaving causes a public scandal. In April 1854 she files a suit of nullity on grounds of non-consummation, which is granted in July; Ruskin does not even mention it in his diary.

  4. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  5. 1858

    Meeting Rose La Touche

    In 1858 Ruskin meets Rose La Touche (1848–1875), from an extremely devout Protestant family; during a period of acute religious crisis he falls passionately in love, first with the girl and then with the young woman.

  6. May 1858

    Completes his work on the Turner Bequest

    Having persuaded the National Gallery to let him work on the Turner Bequest — nearly 20,000 works left to the nation by the painter — Ruskin completes the enormous task of cataloguing, framing and conserving them by May 1858. Four hundred watercolours are displayed in cabinets of his own design.

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