O'n-daig, The Crow, a Dandy, George Catlin, 1836
George Catlin肖像George Catlin美国, 1796–1872

O'n-daig, The Crow, a Dandy

1836 · Painting · 73.7 × 60.9 cm

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史密森尼美國藝術博物館

華盛頓哥倫比亞特區, 美國

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关于这幅画

George Catlin described The Crow as “a young man of distinction, in an extravagant and beautiful costume.” The artist painted this portrait from life at Sault Ste. Marie, in present-day Wisconsin, in 1836. (Truettner, The Natural Man Observed, 1979)

史密森尼美國藝術博物館

作品信息

馆藏编号
1985.66.193

画面内容

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出处

与此同时,在George Catlin的生活中

完整生平
  1. 1830–1836

    Five journeys into the American West

    St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.

  2. spring 1834

    Fort Gibson: portraits of Cherokee, Choctaw, Osage

    Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.

  3. 19 June 1834

    With the dragoons onto the Southern Plains

    He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.

  4. 1836

    First exhibition: about 500 works

    Catlin’s first exhibition takes place in the United States, with about 500 works, but it makes little public stir.

  5. 1838

    The Indian Gallery and public lectures

    Back in the East, he gathers his paintings and Native artifacts into his own Indian Gallery and begins giving lectures on life among the Indians, touring Pittsburgh, Cincinnati and New York with the show. The paintings hang salon-style, in rows one above another, and visitors identify them by catalogue numbers.

  6. 1838

    Congress declines to buy the Indian Gallery

    The U.S. Congress rebuffs his offer to sell the collection: Catlin wanted his life’s work kept intact, but his later efforts to persuade officials in Washington failed as well.

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