Number 1, 1950 (Lavender Mist)

1950 · Painting

可否一睹真容？

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏，只是目前没有展出。

核实: 10天前
此状态始于: 2026年8月19日
出处: 博物馆

在地图上看博物馆页面

关于这幅画

Lavender Mist is a painting by Abstract Expressionist painter Jackson Pollock. It is a classic example of his poured (or “drip”) style of painting. Painted in the summer of 1950, it was first exhibited later that year at the Betty Parsons Gallery in New York City. As art historian Gail Levin writes, “Running from 28 November through 16 December 1950, the exhibition included thirty-two works, several of them now considered Pollock's best: Autumn Rhythm, Lavender Mist, and One.” Lavender Mist has been in the permanent collection of the National Gallery of Art in Washington, D.C., since 1976.

维基百科 CC BY-SA

作品信息

馆藏编号: 1976.37.1

画面内容

Non-representational

已收入目录

绘画油画美国绘画战后艺术 20 世纪 American Abstract Expressionist Action painting

出处

国家美术馆
图片：国家美术馆 — © the artist or rights holder

与此同时，在Jackson Pollock的生活中

完整生平

1948
A sensational show at Betty Parsons
Pollock's 1948 exhibition at the Betty Parsons Gallery was a sensation and a financial success. He was then able to get a larger studio.
8 August 1949
Life asks if he is the greatest living US painter
On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.
1950
Hans Namuth photographs and films Pollock at work
In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.
1950
“No. 12, 1949” at the Venice Biennale
Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.
from 7 March 1952
First Paris exhibition at Paul Facchetti's
From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.
1952年4月9日–1952年7月27日
Exhibition: 15 Americans