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首页地图目录
  1. 藏品/
  2. 阿姆斯特丹国家博物馆/
  3. Nemesis
Nemesis, Albrecht Dürer, 1499 - 1503
Albrecht Dürer肖像Albrecht Dürer德国, 1471–1528

Nemesis

1499 - 1503 · Print

可否一睹真容?

未知

阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

所有者已知,目前是否展出尚不清楚。

出处
博物馆
在地图上看博物馆页面

关于作品

博物馆的介绍 — 荷兰语

Een gevleugelde vrouw met een beker in de ene hand en een breidel in de andere hand, staande op een bol, zwevend boven een rivierdal met een dorp.

阿姆斯特丹国家博物馆

作品信息

1499 - 1503
14711528
馆藏编号
RP-P-OB-1240

画面内容

Nemesis (Adrastea)Luck, Fortune, LotFato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa)

已收入目录

版画文艺复兴15 世纪

出处

  • 阿姆斯特丹国家博物馆
  • 图片: 阿姆斯特丹国家博物馆 — public domain

与此同时,在Albrecht Dürer的生活中

完整生平
  1. 1500

    Jacopo de' Barbari and the secret of proportion

    The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.

  2. 1501–1502

    In the circle of Nuremberg's humanists

    Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.

  3. 1502

    Death of his father

    Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.

  4. 1504 · 工作地

    Lutherstadt Wittenberg

  5. 1505

    Second journey to Italy

    Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.

  6. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

Albrecht Dürer的更多作品

全部作品
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · 大都會藝術博物館

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · 大都會藝術博物館

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

聖母與聖子

c. 1496/1499 · 国家美术馆

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · 国家美术馆

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · 大都會藝術博物館

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · 克利夫蘭藝術博物館

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · 克利夫蘭藝術博物館

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · 克利夫蘭藝術博物館

同馆近邻:阿姆斯特丹国家博物馆

博物馆页面
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

夜巡, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634