
Mariko Mori日本, 1967Miko No Inori
能看到吗?
目前未展出
《Miko No Inori》现在在哪里? 收藏方: 芝加哥藝術博物館, 芝加哥. 目前未展出. 核实 2026年9月29日.
芝加哥, 美國
仍属馆藏,只是目前没有展出。
- 核实
- 此状态始于
- 出处
- 博物馆
关于作品
Working with a studio of designers and technicians, Mariko Mori uses sophisticated technology to realize ambitious productions in diverse media including video, large-scale photography, and 3-D imaging. Turning to fashion, pop culture, and science fiction as aesthetic templates, she creates high-gloss digital dreamscapes that refer to Buddhist thought and religious iconography while presenting an optimistic vision of a technological future. Melding Eastern and Western forms and mixing transcendental themes with open appeals to visual pleasure, the artist proposes a cultural condition in which aesthetics, spirituality, and technology intermingle.
继续阅读
Miko No Inori, which translates as the Shaman-Girl’s Prayer, is set in a digitally transformed version of Osaka’s international airport, which seems to be at once a vaulted temple and a sleek, futuristic space. As in many of her videos, Mori appears as a cyborg—a fantasy woman, half-machine, half-human—in this instance, dressed in a white, iridescent costume that complements her reflective ice blue eyes. She cradles and caresses a glass sphere while a haunting pop song plays. The figure recalls a fortune-teller with her proverbial crystal ball, but she also invites other interpretations that coexist uneasily: she can be seen as a bodhisattva—a spiritual guide who forgoes nirvana out of compassion for those who suffer—but she also resembles a model promoting a new product, gazing directly at the audience with her glass orb seductively in hand.
芝加哥藝術博物館CC BY 4.0
作品信息
- 馆藏编号
- 2007.37
已收入目录
出处
- 芝加哥藝術博物館
- 图片: 芝加哥藝術博物館 — © the artist or rights holder




