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首页地图目录
  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. Lion
Lion, Alfred George Stevens, ca. 1852
Alfred Stevens肖像Alfred Stevens英国, 1817–1875

Lion

ca. 1852 · Statuette

可否一睹真容?

眼下不见客

维多利亚和阿尔伯特博物馆

倫敦, 英国

仍属馆藏,只是目前没有展出。

核实
13天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于这件雕塑

This bronze is copied from a model made by Stevens in about 1852 for the seated lions he cast for tops of the dwarf posts by the entrance lodges outside London's British Museum. According to one admirer, 'the number of imitations of this lion by other artists is their sincerest tribute; and technically it is equally a triumph for Stevens in the small number (20) of pieces which are necessary in the mould for casting it'. Armstrong commented, 'They display, perhaps, the nearest approach to the Gothic spirit of which Stevens was capable (Armstrong 1881, p. 15). The lions are no longer in position, having been removed in 1896 to railings outside the Charles Holden part of the Law Society building in Chancery Lane. Others were placed on the railings around the Wellington monument in St Paul's Cathedral, London after Stevens's death, between 1892 and 1912, when the tomb was removed from the Consistory Chapel in St Paul's. Two further plaster versions of the British Museum lion figure were acquired by the Museum in 1975 from the Tate Gallery, London.

继续阅读

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

维多利亚和阿尔伯特博物馆

作品信息

ca. 1852
18171875
馆藏编号
A.21-1945

已收入目录

雕塑青铜现实主义19 世纪英格兰

出处

  • 维多利亚和阿尔伯特博物馆
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London

Alfred Stevens的更多作品

全部作品
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · 维多利亚和阿尔伯特博物馆

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · 维多利亚和阿尔伯特博物馆

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · 维多利亚和阿尔伯特博物馆

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · 国家美术馆

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · 未展出 · 芝加哥藝術博物館

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · 未展出 · 芝加哥藝術博物館

Drawing, Alfred George Stevens

Drawing

未展出 · 维多利亚和阿尔伯特博物馆

Drawing, Alfred George Stevens

Drawing

未展出 · 维多利亚和阿尔伯特博物馆

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