[Lacock Abbey], William Henry Fox Talbot, 1835–1839
William Henry Fox Talbot肖像William Henry Fox Talbot英格兰, 1800–1877

[Lacock Abbey]

1835–1839 · Photograph · 7.5 × 9.4 cm

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作品信息

馆藏编号
84.XM.1002.32

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出处

与此同时,在William Henry Fox Talbot的生活中

完整生平
  1. 1832年12月10日–1834年12月29日

    Post: member of the 11th Parliament of the United Kingdom

  2. early 1834

    Photographic experiments begin

    In early 1834 Talbot began the experiments on which he later based his claim to priority of invention. For his “photogenic drawing” he bathed writing paper in a weak solution of table salt and brushed it with a strong solution of silver nitrate; unlike Thomas Wedgwood and Nicéphore Niépce, he found ways to fix the image chemically so that it would not darken in daylight.

  3. 1835

    The first negative on salted paper

    Talbot made his first negative on paper soaked in silver nitrate and a salt solution, as he later recounted in “The Pencil of Nature”. Among his early pictures is the window of his own library, taken from inside with a camera whose optical lens measured only 8 centimetres.

  4. 25 January 1839

    First showing of photographs at the Royal Institution

    Shortly after Louis Daguerre’s daguerreotype was announced in early January, Talbot asserted his priority and, at a Friday Evening Discourse at the Royal Institution, exhibited several paper photographs he had made in 1835. Within a fortnight he described the nature of his process to the Royal Society, while Daguerre revealed no useful details of his own until mid-August.

  5. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  6. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

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