La Riboteuse hollandaise, Metsu, Gabriel, 3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658)
Gabriël Metsu肖像Gabriël Metsu荷兰, 1629–1667

La Riboteuse hollandaise

3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658) · Peintures

能看到吗?

是,正在展出

《La Riboteuse hollandaise》现在在哪里? 卢浮宫博物馆, Salle 837, Aile Richelieu, Niveau 2, 巴黎. 是,正在展出. 核实 2026年9月26日.

卢浮宫博物馆

巴黎, 法國

展厅837, Aile Richelieu, Niveau 2

闭馆· 明天 9:00 开馆

正对公众展出。

核实
此状态始于
出处
博物馆

作品信息

馆藏编号
INV 1464

已收入目录

出处

  • 卢浮宫博物馆
  • 图片: 卢浮宫博物馆 — © 2016 GrandPalaisRmn (musée du Louvre) / Tony Querrec

Gabriël Metsu当时的生活

完整生平
  1. 1644–1655 · 工作地

    Leiden

  2. c. 1655

    Moves from Leiden to Amsterdam

    With money troubles during the First Anglo-Dutch War he moved to Amsterdam — though other accounts say he settled there only in 1657, living in Leiden with short breaks until then. He lived in an alley on the Prinsengracht next to a brewery and near his relatives, the children of the sugar refiner Philips Metsu; in Amsterdam he came under the influence of Gerard ter Borch and possibly Pieter Codde.

  3. 1657

    A quarrel with a neighbour and a move beside the vegetable market

    In 1657 he quarrelled with a neighbour (it was alleged that Metsu had left a brothel at six in the morning) and moved to a house on a canal-side where a daily vegetable market was held.

  4. 1657–1667 · 工作地

    Amsterdam

  5. 1658年4月27日

    Married: Isabella de Wolff

  6. early 1660s

    Turns to the Leiden “fijnschilders”

    At the onset of the 1660s he turned for inspiration to the art of the Leiden “fijnschilders” (“fine painters”), whose origin is traced to Dou: their paintings on wood or copper are marked by exceptional rendering of minute detail and a smooth, glowing surface. He was apparently responding to the market for Dou’s paintings, which Dou sold at exorbitant prices.

全部作品

同一展厅 · Salle 837, Aile Richelieu, Niveau 2, 卢浮宫博物馆

博物馆页面