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  1. 藏品/
  2. 阿姆斯特丹国家博物馆/
  3. Het zieke kind
Het zieke kind, Gabriël Metsu, c. 1664 - c. 1666
Gabriël Metsu肖像Gabriël Metsu荷兰, 1629–1667

Het zieke kind

c. 1664 - c. 1666 · Painting

可否一睹真容?

可以,正在迎客

阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

展厅2.25 · Painting

正对公众展出。由谁担保,见下文。

核实
前天
此状态始于
2026年9月29日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于这幅画

The Sick Child (Dutch: Het zieke kind) or The Sick Girl is an oil on canvas genre painting by the Dutch artist Gabriël Metsu, created c. 1660. It has been held by the Rijksmuseum, in Amsterdam, since it was bought in 1928, with assistance from the Vereniging Rembrandt at a sale of works from the collection of Oscar Huldschinsky in Berlin.

Metsu painted in a variety of styles and genres through his artistic career. He painted The Sick Child towards the end of his life, when his style resembled Pieter de Hooch or Johannes Vermeer, with bright light, weak shadows, and fresh even colours, but with thicker paint and coarser brushstrokes so a less refined style than Vermeer. The painting was probably made after an outbreak of the bubonic plague in Amsterdam from 1663 to 1666: this last epidemic in Amsterdam killed a tenth of the population.

继续阅读

The painting measures 32.2 cm × 27.2 cm (12.7 in × 10.7 in). The composition resembles a Pietà: a mother is cradling her listless child, probably a girl, on her lap, recalling religious works depicting the Virgin Mary cradling the dead body of Jesus. The positions of the mother and the child create diagonals crossing near the mother's heart. The child gazes out vacantly past the viewer and into the distance, with her mother leaning over her attentively. The mother's bright red skirt and blue apron, and the child's yellow and white clothes, contrast with the otherwise muted tones of the room. A pot with a spoon lies unheeded on a table to the left, with the child too lethargic to eat. To the right, some clothes lie on a chair. Hanging on the wall is a map of Europe, which bears the artist's signature "G. Metsue", and a drawing of Christ on the cross, echoing the suffering in the room.

It is possible that Metsu's wife Isabella was the model for the mother in the painting: the woman wears the cap of a married woman and a wedding ring, and the earrings are seen in earlier portraits of Isabella (c.1658). The child may be theirs, although none is recorded, or possibly the child of Metsu's patron Jan Jacobszoon Hinlopen, whose family Metsu had painted in 1661 and 1663 (see Metsu's Portrait of the Family Hinlopen): Hinlopen's daughter Geertruit died of measles aged 19 months in August 1663.

维基百科 · CC BY-SA

博物馆的介绍

In 1663, the plague ravaged Amsterdam, claiming one in ten lives. Around this time, Metsu painted this picture of a mother comforting her sick child. Their posture evokes a pieta: the Virgin Mary with the body of Jesus on her lap. The painting on the wall, depicting Christ on the cross, serves as a poignant reminder of that suffering.

阿姆斯特丹国家博物馆

作品信息

c. 1664 - c. 1666
16291667
馆藏编号
SK-A-3059

画面内容

Crucified Christ, with particular persons under the crossMother and son(s) (family group)Patient, sick personPicture, painting

已收入目录

绘画油画荷兰绘画巴洛克17 世纪

行踪录

  1. 在展 · Room 2.25 · Painting

    阿姆斯特丹国家博物馆 · 2026年9月29日 — 现在 · 已核实

  2. 今日是否在展,尚不得而知

    阿姆斯特丹国家博物馆 · 未经证实

出处

  • 阿姆斯特丹国家博物馆:博物馆的开放数据 · 8天前获取
  • 图片: 阿姆斯特丹国家博物馆 — public domain

与此同时,在Gabriël Metsu的生活中

完整生平
  1. 1657–1667 · 工作地

    Amsterdam

  2. 1662

    Jan Vos’s poem on “Visit to the Nursery”

    Jan Vos published a poem about this painting, which belonged to Jan Hinlopen: the scene is set in an imaginary room of unrealistically large proportions, and hung in the reception room of Hinlopen’s house it alluded to his powerful role in local politics.

  3. 1667年10月24日

    Died

Gabriël Metsu的更多作品

全部作品
De jagersbuit, Gabriël Metsu, c. 1658 - c. 1661

De jagersbuit

c. 1658 - c. 1661 · 阿姆斯特丹国家博物馆

Portrait of Lucia Wijbrants, Gabriël Metsu, 1667

Portrait of Lucia Wijbrants

1667 · 明尼阿波利斯美術館

Lace-Maker, Gabriël Metsu, 17th century

Lace-Maker

17th century · 埃尔米塔日博物馆

A Woman Seated at a Window, Gabriël Metsu, early 1660s

A Woman Seated at a Window

early 1660s · 大都會藝術博物館

Prodigal Son, Gabriël Metsu, 1649

Prodigal Son

1649 · 埃尔米塔日博物馆

Le Christ prenant la défense de la femme adultère, Metsu, Gabriel, 3e quart du XVIIe siècle (1653)

Le Christ prenant la défense de la femme adultère

3e quart du XVIIe siècle (1653) · 卢浮宫博物馆

La Riboteuse hollandaise, Metsu, Gabriel, 3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658)

La Riboteuse hollandaise

3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658) · 卢浮宫博物馆

A Musical Party, Gabriël Metsu, 1659

A Musical Party

1659 · 大都會藝術博物館

同馆近邻:阿姆斯特丹国家博物馆

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