Kruisiging

1503 - 1504 · Print

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阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

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出处: 博物馆

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关于作品

博物馆的介绍 — 荷兰语

Christus aan het kruis tussen de twee gekruisigde misdadigers. Maria Magdalena omarmt de voet van het kruis van Christus. Links op de voorgrond valt de moeder van Christus valt in zwijm. Rechts op de voorgrond dobbelt een aantal mannen om Christus' kleren.

阿姆斯特丹国家博物馆

作品信息

馆藏编号: RP-P-OB-1370

画面内容

Comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

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版画文艺复兴 16 世纪

出处

阿姆斯特丹国家博物馆
图片：阿姆斯特丹国家博物馆 — public domain

与此同时，在Albrecht Dürer的生活中

完整生平

1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.
1504 · 工作地
Lutherstadt Wittenberg
1505
Second journey to Italy
Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.