与此同时，在Max Ernst的生活中
完整生平1934–1935
“Une semaine de bonté” and the first sculptures
In 1934 appeared Ernst’s next collage novel, Une semaine de bonté. He spent the summers of 1934 and 1935 at Maloja with the sculptor family Giacometti and turned to sculpture.
1936
Shows at MoMA and in London; decalcomania
In 1936 Ernst took part in the exhibition Fantastic Art, Dada, Surrealism at MoMA in New York and in the large surrealist exhibition in London; that year Óscar Domínguez introduced decalcomania, which Ernst began to use in oil painting.
1937
Leonora Carrington: a passion and a house in the Ardèche
In 1937, at Roland Penrose’s in London, Ernst met Leonora Carrington, who had been struck by his paintings at the surrealist exhibition a year earlier. A passion flared between them and Leonora followed him to Paris; he left his wife and lived with her for several years, buying a house at Saint-Martin-d’Ardèche where he made many frescoes and sculptures.
1937
The text “Au-delà de la peinture” in “Cahiers d’art”
In 1937 a special issue of Cahiers d’art published Ernst’s text Au-delà de la peinture on his work from 1918 to 1936; that year he also designed Alfred Jarry’s play Ubu enchaîné.
