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  3. Equivalent, from Set A (Third Set, Print 6)
Equivalent, from Set A (Third Set, Print 6), Alfred Stieglitz, 1929
Alfred Stieglitz肖像Alfred Stieglitz美国, 1864–1946

Equivalent, from Set A (Third Set, Print 6)

1929 · Photograph

可否一睹真容?

眼下不见客

芝加哥藝術博物館

芝加哥, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年8月19日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于作品

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.

芝加哥藝術博物館 · CC BY 4.0

作品信息

1929 · 65岁
18641946
馆藏编号
1949.820

已收入目录

摄影银盐明胶印相现代主义20 世纪美国

出处

  • 芝加哥藝術博物館:博物馆的开放数据 · 8天前获取
  • 图片: 芝加哥藝術博物館 — CC0

与此同时,在Alfred Stieglitz的生活中

完整生平
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

Alfred Stieglitz的更多作品

全部作品
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · 現代藝術博物館

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · 現代藝術博物館

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · 現代藝術博物館

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · 芝加哥藝術博物館

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · 未展出 · 国家美术馆

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · 未展出 · 国家美术馆

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · 未展出 · 国家美术馆

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · 未展出 · 国家美术馆

同馆近邻:芝加哥藝術博物館

博物馆页面
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

大碗岛的星期天下午, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

雨天的巴黎街道, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

两姐妹, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

蘋果籃, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

美国哥特式, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

夜游者, 1942