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  1. 藏品/
  2. 克利夫蘭藝術博物館/
  3. Documents Decoratifs: Plate 41
Documents Decoratifs:  Plate 41, Alphonse Mucha, 1901–2
Alphonse Mucha肖像Alphonse Mucha捷克, 1860–1939

Documents Decoratifs: Plate 41

1901–2 · Print

可否一睹真容?

眼下不见客

克利夫蘭藝術博物館

克利夫兰, 美國

仍属馆藏,只是目前没有展出。

核实
3天前
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

作品信息

1901–2 · 41岁
18601939
馆藏编号
1969.239

已收入目录

版画石版画印象派现代主义20 世纪Czechoslovakia, late 19th-early 20th century

出处

  • 克利夫蘭藝術博物館
  • 图片: 克利夫蘭藝術博物館 — Museum open access

与此同时,在Alphonse Mucha的生活中

完整生平
  1. 1890s

    Advertising posters for champagne, biscuits and bicycles

    The success of the Bernhardt posters brought him commissions for advertising posters: JOB cigarette papers, Ruinart and Moët & Chandon champagne, Lefèvre-Utile biscuits, Nestlé baby food, Idéal Chocolate, La Trappistine brandy, and Waverly and Perfect bicycles. His posters showed almost entirely beautiful women in lavish settings, their hair curling in arabesques.

  2. 20 December 1899

    “Le Pater” is published

    Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.

  3. c. 1899 – 1900

    A trip to the Balkans for sketches

    As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.

  4. 1900

    Exhibition: Exposition Universelle of 1900

  5. 1900

    Sarah Bernhardt defends his Czech origins

    His foreign name caused much speculation in the French press, which distressed him; Sarah Bernhardt declared in La France that Mucha was a Czech from Moravia not only by birth and origin but also by feeling, conviction and patriotism.

  6. 1902

    “Documents décoratifs” is published

    The Central Library of Fine Arts published his book of seventy-two watercolour plates with designs for brooches and other pieces, with arabesques, vegetal forms and incrustations of enamel and coloured stones, showing how floral and natural forms could be used in decoration.

Alphonse Mucha的更多作品

全部作品
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · 大都會藝術博物館

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

未展出 · 国家美术馆

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · 未展出 · 現代藝術博物館

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · 阿姆斯特丹国家博物馆

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · 未展出 · 現代藝術博物館

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

阿尔贝蒂娜博物馆

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

阿尔贝蒂娜博物馆

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · 阿尔贝蒂娜博物馆

同馆近邻:克利夫蘭藝術博物館

博物馆页面
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

梅伦科利亚一世, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502