Albrecht Dürer德国, 1471–1528Die Geißelung
可否一睹真容？
未知
不伦瑞克, 德國
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
作品信息
画面内容
已收入目录
出处
- 安東·烏爾里希公爵美術館
- 图片： 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0
与此同时，在Albrecht Dürer的生活中
完整生平1507–1528 · 工作地
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
![[Die Geißelung Christi; The Flagellation; Mark. 15, 15; Luk. 23, 16, 22; Joh. 19,1], Lucas van Leyden, 1521](https://diglib.hab.de/varia/haum/leyden-l-v-ab3-0037/max/000001.jpg)
![[La flagellation; The Flagellation; Geißelung Christi], Battista Franco Veneziano, 1530–1561](https://diglib.hab.de/varia/haum/franco-g-b-ab2-0003/max/000001.jpg)