Deux têtes d'apôtres, Dyck, Antoon van, 1e quart du XVIIe siècle (vers 1618 - 1620)
Anthony van Dyck肖像Anthony van Dyck佛兰德, 1599–1641

Deux têtes d'apôtres

1e quart du XVIIe siècle (vers 1618 - 1620) · Peintures

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巴黎, 法國

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作品信息

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A 119

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  • 卢浮宫博物馆
  • 图片: 卢浮宫博物馆 — © 2023 Musée du Louvre / Département des Peintures

Anthony van Dyck当时的生活

完整生平
  1. from 1617

    Beginning of Work with Rubens

    From 1617 Van Dyck collaborated for a long period with Peter Paul Rubens, whose pupil he became, giving up his independent workshop; Rubens spoke of him as his best pupil.

  2. 1620

    First Trip to London to the Court of James I

    In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.

  3. 20 November 1621

    Departure for Italy, Arrival in Genoa

    In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.

  4. winter 1622

    Winter in Venice, Studying Titian

    Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.

  5. 1622

    Journey to Rome

    In February 1622 Van Dyck left for Rome, where he stayed until August of that year and for most of 1623; he was introduced into the best circles of society and copied Renaissance masterpieces at the Palazzo Ludovisi and the Villa Borghese.

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