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首页地图目录
  1. 藏品/
  2. 安東·烏爾里希公爵美術館/
  3. Der Engelkampf
Der Engelkampf, Albrecht Dürer, 1496
Albrecht Dürer肖像Albrecht Dürer德国, 1471–1528

Der Engelkampf

1496 · Print

可否一睹真容?

未知

安東·烏爾里希公爵美術館

不伦瑞克, 德國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1496 · 25岁
14711528

与此同时,在Albrecht Dürer的生活中

完整生平
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 1494年7月7日

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

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画面内容

Der sechste der sieben Engel stößt in die Tompete (Posaune): die vier Todesengel werden losgelassenAltarApokalypseAngelGottvaterKampfOffenbarung

已收入目录

版画文艺复兴15 世纪

出处

  • 安東·烏爾里希公爵美術館
  • 图片: 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · 大都會藝術博物館

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

聖母與聖子

c. 1496/1499 · 国家美术馆

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · 国家美术馆

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · 大都會藝術博物館

Man of Sorrows with Arms Outstretched, Albrecht Dürer, ca. 1500

Man of Sorrows with Arms Outstretched

ca. 1500 · 大都會藝術博物館

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · 国家美术馆

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · 国家美术馆

Salvator Mundi, Albrecht Dürer, ca. 1505

Salvator Mundi

ca. 1505 · 大都會藝術博物館

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771