De hoer van Babylon

1496 - 1497 · Print

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阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

所有者已知，目前是否展出尚不清楚。

出处: 博物馆

在地图上看博物馆页面

关于作品

博物馆的介绍 — 荷兰语

Een mooi geklede en gekapte vrouw rijdt op een beest met zeven koppen en tien horens. Vanuit de hemel verschijnt een leger ruiters. Daarnaast twee engelen, van wie één een molensteen vast heeft. Rechts op de achtergrond is te zien hoe een stad in vlammen opgaat. Op versozijde Latijnse bijbeltekst in gotisch schrift in twee kolommen.

阿姆斯特丹国家博物馆

作品信息

馆藏编号: RP-P-OB-1391

与此同时，在Albrecht Dürer的生活中

完整生平

c. 1492 – 1494
Basel: woodcuts for the printers
In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.
July 1494
Marries Agnes Frey
Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.
1494年7月7日
Married: Agnes Dürer
1494–1495
First journey to Italy
Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.
1495
Opens his own workshop
Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.