De gevangenneming

1508 · Print

可否一睹真容？

未知：馆方守口如瓶

阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

归属已知。今日是否在展，馆方并未说明，而我们不敢妄加揣测。

出处: 博物馆自己的馆藏数据

在地图上看博物馆页面

关于作品

In the museum's own words — the original

Christus wordt door Judas met een kus verraden. Soldaten staan achter Christus klaar om hem mee te voeren. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.

阿姆斯特丹国家博物馆

作品信息

馆藏编号: RP-P-OB-1161

What it shows

Peter draws his sword and cuts off Malchus' ear The kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

出处

阿姆斯特丹国家博物馆: the museum's own open data · 6天前获取
图片：阿姆斯特丹国家博物馆 — public domain

与此同时，在Albrecht Dürer的生活中

完整生平

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · 工作地
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · 工作地
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.