Dancers Backstage, Edgar Degas, 1876/1883
Edgar Degas肖像Edgar Degas法国, 1834–1917

Dancers Backstage

1876/1883 · Painting

可否一睹真容?

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏,只是目前没有展出。

核实
此状态始于
出处
博物馆

作品信息

馆藏编号
1970.17.25

画面内容

已收入目录

出处

与此同时,在Edgar Degas的生活中

完整生平
  1. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  2. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  3. 1877

    Friendship with Mary Cassatt

    Degas invited Mary Cassatt to show in the third Impressionist exhibition, having admired her portrait “Ida” at the Salon of 1874. He introduced her to pastel and engraving, while she helped him sell paintings and promoted his reputation in the United States.

  4. autumn 1879 – April 1880

    The prints journal: Degas abruptly withdraws

    In the autumn and winter of 1879–1880 Degas and Cassatt worked closely together on a prints journal; he owned a small printing press. In April 1880 Degas abruptly withdrew, and without his support the project folded.

  5. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

  6. by 1882

    His eyesight sharply worsens

    By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

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