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首页地图目录
  1. 藏品/
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  3. Couple
Couple, George Grosz, 1934
Grosz, George肖像Grosz, George德国, 1893–1959

Couple

1934 · Drawing

可否一睹真容?

眼下不见客

惠特尼美国艺术博物馆

纽约, 美國

仍属馆藏,只是目前没有展出。

核实
3天前
出处
博物馆
在地图上看博物馆页面

作品信息

1934 · 41岁
18931959
馆藏编号
36.18

已收入目录

素描与水彩水彩现代主义20 世纪

出处

  • 惠特尼美国艺术博物馆
  • 图片: 惠特尼美国艺术博物馆 — © the artist or rights holder

与此同时,在Grosz, George的生活中

完整生平
  1. 1928–1933 · 居住

    Wilmersdorf

  2. June 1932

    An invitation to teach in New York

    Bitterly anti-Nazi, Grosz accepts an invitation to teach the summer semester at the Art Students League of New York; in October 1932 he returns to Germany.

  3. 1933

    A break with the past: a new style and subjects

    In America Grosz resolves to make a clean break with his past and changes his style and subject matter: in place of his corrosive vision of the city he paints conventional nudes and many landscape watercolours. In his autobiography he writes that much that had frozen within him in Germany melted in America and that he deliberately destroyed a part of his past.

  4. 12 – 23 January 1933

    Emigration to the United States

    On 12 January 1933 Grosz and his family emigrate to the United States; their ship docks in New York on 23 January, a week before Hitler comes to power in Berlin.

  5. 1933–1945

    His work is classed as “degenerate art”

    In Nazi Germany Grosz's work is classed as 'degenerate art'.

  6. 1933–1955

    Teaching at the Art Students League

    Grosz teaches at the Art Students League of New York until 1955; his students include Romare Bearden, who was influenced by his collage style, Joseph Glasco and Robert Cenedella, whom he mentored from 1957 to 1959.

Grosz, George的更多作品

全部作品
The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · 現代藝術博物館

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · 現代藝術博物館

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

未展出 · 国家美术馆

In The Drawing Room [The Art Critics], George Grosz, late 1920s

In The Drawing Room [The Art Critics]

late 1920s · 未展出 · 国家美术馆

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · 未展出 · 現代藝術博物館

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · 未展出 · 国家美术馆

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · 未展出 · 現代藝術博物館

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · 未展出 · 国家美术馆

同馆近邻:惠特尼美国艺术博物馆

博物馆页面
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Early Sunday Morning, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026