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  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. Captain Thomas Read
Captain Thomas Read, Angelica Kauffman, 1780
Angelica Kauffmann肖像Angelica Kauffmann瑞士, 1741–1807

Captain Thomas Read

1780 · Oil painting · 77.2 × 63.2 cm

可否一睹真容?

未知:馆方守口如瓶

维多利亚和阿尔伯特博物馆

倫敦, 英国

归属已知。今日是否在展,馆方并未说明,而我们不敢妄加揣测。

此状态始于
2026年9月25日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于这幅画

Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

继续阅读

This painting portrayed Captain Thomas Read (1762-1837) the twin brother of Sir John Read, 6th Bart. of Shipton-under-Wychwood, Oxfordshire. Very little is known about the sitter who must have been 18 year-old by the time this portrait was excuted. It is a fine example of Georgian portraiture based on the so-called "Vandyke manner" essential to British portrait painting in the age of Joshua Reynolds and Thomas Gainsborough.

维多利亚和阿尔伯特博物馆

作品信息

1780 · 39岁
17411807
馆藏编号
P.36-1962

画面内容

男人Thomas Read

已收入目录

绘画油画新古典主义18 世纪Swiss SchoolGeorgian伦敦

出处

  • 维多利亚和阿尔伯特博物馆:博物馆的开放数据 · 8天前获取
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London

与此同时,在Angelica Kauffmann的生活中

完整生平
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  4. 1781

    Married: Antonio Zucchi

  5. after 1781

    Befriends Goethe in Rome

    In Rome Kauffman befriended, among others, Johann Wolfgang von Goethe.

  6. 1782

    Her father, Joseph Johann Kauffmann, dies

    In 1782 Angelica’s father, Joseph Johann Kauffmann (1707–1782), died; he was her first teacher of painting, and she had worked and travelled with him through Switzerland, Austria and Italy.

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Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

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Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

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Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

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The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

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