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  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. By the Way-side
By the Way-side, John Ruskin, 1859
John Ruskin肖像John Ruskin英格兰, 1819–1900

By the Way-side

1859 · Watercolour drawing · 15.2 × 8.9 cm

可否一睹真容?

眼下不见客

维多利亚和阿尔伯特博物馆

倫敦, 英国

仍属馆藏,只是目前没有展出。

核实
12天前
此状态始于
2026年9月25日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

作品信息

1859 · 40岁
18191900
馆藏编号
E.309-1952

已收入目录

素描与水彩钢笔现实主义19 世纪British School英国

出处

  • 维多利亚和阿尔伯特博物馆:博物馆的开放数据 · 12天前获取
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London

与此同时,在John Ruskin的生活中

完整生平
  1. 1834–1900 · 工作地

    Great Britain

  2. 1850s

    Patron of Hunt, Rossetti and Burne-Jones

    Ruskin continues to support Holman Hunt and Rossetti, provides an annuity of £150 in 1855–57 to Rossetti's wife Elizabeth Siddal (and pays for Henry Acland's medical care of her), and gives critical and financial help to John Brett, John William Inchbold and Edward Burne-Jones, whom he calls “Brother Ned”. His father disapproves of such friends — a further cause of tension between them.

  3. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  4. 1858

    Meeting Rose La Touche

    In 1858 Ruskin meets Rose La Touche (1848–1875), from an extremely devout Protestant family; during a period of acute religious crisis he falls passionately in love, first with the girl and then with the young woman.

  5. May 1858

    Completes his work on the Turner Bequest

    Having persuaded the National Gallery to let him work on the Turner Bequest — nearly 20,000 works left to the nation by the painter — Ruskin completes the enormous task of cataloguing, framing and conserving them by May 1858. Four hundred watercolours are displayed in cabinets of his own design.

  6. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

John Ruskin的更多作品

全部作品
Architectural details from the Sagredo Palace, Venice, John Ruskin, 19th century

Architectural details from the Sagredo Palace, Venice

19th century · 维多利亚和阿尔伯特博物馆

View of Amalfi, John Ruskin, 1844

View of Amalfi

1844 · 哈佛藝術博物館

Fragment of the Alps, John Ruskin, c. 1854-1856

Fragment of the Alps

c. 1854-1856 · 哈佛藝術博物館

Tree Study, John Ruskin, mid-1850s

Tree Study

mid-1850s · 未展出 · 国家美术馆

Gezicht op S. Anastasia te Verona, over de Adige, John Ruskin, 1829 - 1900

Gezicht op S. Anastasia te Verona, over de Adige

1829 - 1900 · 阿姆斯特丹国家博物馆

Bergkam aan het Meer van Genève, John Ruskin, 1829 - 1900

Bergkam aan het Meer van Genève

1829 - 1900 · 阿姆斯特丹国家博物馆

The Garden of San Miniato near Florence, John Ruskin, 1845

The Garden of San Miniato near Florence

1845 · 未展出 · 国家美术馆

Tower of the Cathedral at Sens, John Ruskin, c. 1845

Tower of the Cathedral at Sens

c. 1845 · 未展出 · 国家美术馆

同馆近邻:维多利亚和阿尔伯特博物馆

博物馆页面
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024