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  3. Boxeurs (The Boxers)
Boxeurs (The Boxers), Théodore Gericault, 1818
Théodore Géricault肖像Théodore Géricault法国, 1791–1824

Boxeurs (The Boxers)

1818 · Print

作品信息

1818 · 27岁
17911824
馆藏编号
1985.64.169

与此同时,在Théodore Géricault的生活中

完整生平
  1. 1816

    An affair with his uncle's wife: another reason to leave

    At that time Géricault began a love affair with his uncle's wife, Alexandrine-Modeste Caruel, and feared its discovery; it was another, personal reason for his departure for Italy.

  2. 1816–1817

    Naples and Rome: the shock of Michelangelo

    Géricault visited Naples, drawing the landscapes and people, but spent most of his time in Rome. The frescoes of the Sistine Chapel shook him: Michelangelo's monumentality of form inspired his pen drawings, such as “Man Felling a Bull”, among the most interesting made in Rome.

  3. autumn 1817

    The book on the wreck of the Méduse reaches Géricault

    In the autumn of 1817 the book “The Wreck of the Frigate Medusa” appeared, in which the eyewitnesses, the geographer-engineer Alexandre Corréard and the physician Henri Savigny, described the thirteen-day drift of the raft after the ship ran aground off the coast of Mauritania. The book reached Géricault, who saw in it the subject for the large painting he had long dreamed of.

  4. 1817–1818

    Investigating the disaster: survivors, a model raft, morgues

    Géricault re-created the event by studying the available materials and meeting witnesses: he got to know Corréard and Savigny, a carpenter from the Méduse made a scale model of the raft for him, and the artist modelled wax figures himself. He visited hospital morgues, drawing dead heads, emaciated bodies and severed limbs, and the preparation ended with a trip to Le Havre, where he painted studies of sea and sky.

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1819

“The Raft of the Medusa” sparks a political controversy at the Salon

When first exhibited at the Paris Salon of 1819, “The Raft of the Medusa” ignited political controversy: it indicted a corrupt establishment, in which the captain had left the crew and passengers to die, but also dramatized the eternal struggle of man against nature.

  • 12 June – 30 December 1820

    London: 50,000 visitors and 20,000 francs

    The entrepreneur Bullock exhibited “The Raft of the Medusa” in London from 12 June to 30 December 1820; about 50,000 people saw it, critics called it a masterpiece, and its author was compared to Michelangelo and Caravaggio. Géricault was entitled to a third of the ticket receipts and received 20,000 francs.

  • 可否一睹真容?

    眼下不见客

    国家美术馆

    華盛頓哥倫比亞特區, 美國

    仍属馆藏,只是目前没有展出。

    核实
    9天前
    此状态始于
    2026年8月19日
    出处
    博物馆
    在地图上看博物馆页面

    画面内容

    SportsBoxing

    已收入目录

    版画石版画新古典主义浪漫主义19 世纪French

    出处

    • 国家美术馆
    • 图片: 国家美术馆 — Museum open access
    Le radeau de la Méduse, Géricault, Théodore, 1e quart du XIXe siècle (1818 - 1819)

    梅杜萨之筏

    1e quart du XIXe siècle (1818 - 1819) · 卢浮宫博物馆

    Flayed Horse III, Théodore Gericault, model c. 1820/1824, cast 1959-1960

    Flayed Horse III

    model c. 1820/1824, cast 1959-1960 · 国家美术馆

    La tempête ou L'épave, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    La tempête ou L'épave

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Un carabinier, vu à mi-corps., Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    Un carabinier, vu à mi-corps.

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Cuirassier blessé, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    Cuirassier blessé

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Portrait d'homme, dit le Vendéen, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    Portrait d'homme, dit le Vendéen

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Course de Chevaux montés allant à gauche, au moment du départ., Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    Course de Chevaux montés allant à gauche, au moment du départ.

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Deux chevaux de poste à la porte d'une écurie, Géricault, Théodore, 1e quart du XIXe siècle (1800 - 1825)

    Deux chevaux de poste à la porte d'une écurie

    1e quart du XIXe siècle (1800 - 1825) · 卢浮宫博物馆

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    吉內薇拉·班琪, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Girl in White, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    普羅旺斯的農舍, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    未展出 · 国家美术馆

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    未展出 · 国家美术馆

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    未展出 · 国家美术馆

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    未展出 · 国家美术馆

    Bullfight in a Divided Ring, Goya, ca. 1810

    Francisco de Goya

    Bullfight in a Divided Ring, ca. 1810

    大都會藝術博物館

    Lion Hunt, Pieter Claesz Soutman and Sir Peter Paul Rubens, c. 1615-1618

    Peter Paul Rubens

    Lion Hunt, c. 1615-1618

    未展出 · 国家美术馆

    At the Races, Edouard Manet, c. 1875

    Édouard Manet

    At the Races, c. 1875

    未展出 · 国家美术馆

    Untitled (man with racket and ball), Mark Rothko, 1939

    Mark Rothko

    Untitled (man with racket and ball), 1939

    未展出 · 国家美术馆