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  3. Apparition
Apparition, Odilon Redon, about 1880–1890
Odilon Redon肖像Odilon Redon法国, 1840–1916

Apparition

about 1880–1890 · Drawing · 52.5 × 37.3 cm

可否一睹真容?

可以,正在迎客

J
J·保羅·蓋蒂博物館

洛杉矶, 美國

展厅Museum West Pavilion, Gallery W106

正对公众展出。由谁担保,见下文。

核实
前天
此状态始于
2026年10月5日
出处
博物馆
在地图上看博物馆页面

关于作品

This is one of Odilon Redon's *noirs*, charcoal drawings that he made over several decades in the late 1800s and so named for their dark tones and mysterious, often nightmarish, imagery. Here, strong black strokes of charcoal cover much of the warm-toned paper, creating an atmosphere of primordial gloom. From this dark void the capped head of a bearded figure appears. A strong, supernatural light emanates from him, and yet his eyes are cast in mysterious shadow. He smiles slightly. Rays of light shine down from an orb above the figure's head; the orb is shaped like a thought-bubble that seems to connote thoughts or imagination--or put more abstractly, the cerebral act that precedes creation. And perhaps creation is what the artist has implied here: the first passages in the book of Genesis that describe God's creation of heaven and earth and the division of day from night. On the other hand, the drawing's imagery is subtle and obtuse. Like a dream, the elements cannot add up to a purely rationalized experience.

JJ·保羅·蓋蒂博物館

作品信息

about 1880–1890
18401916
馆藏编号
2013.38

已收入目录

素描与水彩炭笔印象派19 世纪法国

出处

  • J·保羅·蓋蒂博物館
  • 图片: J·保羅·蓋蒂博物館 — Open Content

与此同时,在Odilon Redon的生活中

完整生平
  1. 1878 · 工作地

    Amsterdam

  2. 1878 · 工作地

    Rotterdam

  3. 1880

    Married: Camille Redon

  4. 1884

    Huysmans’s novel “Against Nature” makes him known

    After the publication of Joris-Karl Huysmans’s novel “À rebours” in 1884 the public began to take an interest in Redon: the book’s hero assembled a collection of art that included Redon’s drawings.

  5. 1886

    The eighth Impressionist exhibition

    Redon took part in the eighth and last Impressionist exhibition.

  6. from 1890

    The turn from “noirs” to colour

    From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.

Odilon Redon的更多作品

全部作品
Village by the Sea in Brittany, Odilon Redon, c. 1880

Village by the Sea in Brittany

c. 1880 · 国家美术馆

Breton Village, Odilon Redon, c. 1890

Breton Village

c. 1890 · 国家美术馆

Les Anemones (Still Life with Anemones), Odilon Redon, c. 1900–10

Les Anemones (Still Life with Anemones)

c. 1900–10 · 明尼阿波利斯美術館

Bouquet of Flowers, Odilon Redon, ca. 1900–1905

Bouquet of Flowers

ca. 1900–1905 · 大都會藝術博物館

Baronne de Domecy, Odilon Redon, about 1900

Baronne de Domecy

about 1900 · J·保羅·蓋蒂博物館

Madame Arthur Fontaine (Marie Escudier, 1865–1946), Odilon Redon, 1901

Madame Arthur Fontaine (Marie Escudier, 1865–1946)

1901 · 大都會藝術博物館

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906

Vase of Flowers (Pink Background)

ca. 1906 · 大都會藝術博物館

Evocation of Roussel, Odilon Redon, c. 1912

Evocation of Roussel

c. 1912 · 国家美术馆

同馆近邻:J·保羅·蓋蒂博物館

博物馆页面
Irises, Vincent van Gogh, 1889

Vincent van Gogh

鳶尾花, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632