attributed to Perre Jacques Cazes
An Allegory
可否一睹真容？
眼下不见客
维多利亚和阿尔伯特博物馆
倫敦, 英国
仍属馆藏，只是目前没有展出。
- 核实
- 此状态始于
- 出处
- 博物馆
关于这幅画
Pierre Jacques Cazes (1676-1754) was born in Paris where he remained all his life long. He trained with René-Antoine Houasse (ca. 1645-1710) and Bon Boullogne (1649-1717) and despite having won the Prix de Rome in 1699, he never went to Rome. He rapidly received important commissions, especially from the court, and became one of the leading painters of history paintings. His sons, Jacques-Nicolas and Pierre-Michel Cazes, were his pupils as well as renowned figures of the following generation such as Charles Parrocel (1688-1752) and Jean-Siméon Chardin (1699-1779).
继续阅读
This painting is a fine example of 17th-century French history paintings, of which Cazes was one of the most authoritative exponents although he was soon forgotten after his death. It represents probably the allegory of fidelity and may have been destined to the decoration of a church or a private palace, for which he supplied many designs during his long career.
维多利亚和阿尔伯特博物馆
作品信息
- 馆藏编号
- 1346-1869
画面内容
已收入目录
出处
- 维多利亚和阿尔伯特博物馆
- 图片： 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
![[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], Rembrandt, 1633](https://diglib.hab.de/varia/haum/rembrandt-v3-4595/max/000001.jpg)
![[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], Rembrandt, 1633](https://diglib.hab.de/varia/haum/rembrandt-ab3-0134/max/000001.jpg)
