ART WIKI37.788 sergileniyor
HaritaKoleksiyonSanatçılarMüzelerSergilerDergi
Giriş yap

ART WIKI

Sanat eserleri nerede görülür, ne zaman ziyaret edilir.

Koleksiyonlar: Art Institute of Chicago, Cleveland Sanat Müzesi, Cooper Hewitt, Smithsonian Design Museum, Ermitaj Müzesi, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Müzesi, Louvre Müzesi, Metropoliten Sanat Müzesi, Minneapolis Institute of Art, Modern Sanat Müzesi, National Museum of Asian Art, National Portrait Gallery, Puşkin Müzesi, Rijksmuseum Amsterdam, Rus Devlet Müzesi, Smithsonian Amerikan Sanat Müzesi, SMK — National Gallery of Denmark, Tretyakov Devlet Galerisi, Ulusal Sanat Galerisi, Victoria ve Albert Müzesi, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Rusya Müze Fonu Devlet Kataloğu (274 müze), Europeana (19 müze), Wikidata (44 müze), Paris Musées (12 müze), Joconde, Fransa Kültür Bakanlığı müze veritabanı (495 müze) ve İtalya Kültür Bakanlığı Kültür Varlıkları Genel Kataloğu (25 müze). Görsellerin hakları sahiplerine aittir.

Bölümler

  • Harita
  • Ara
  • Koleksiyon
  • Ünlü eserler
  • Çalıntı ve kayıp
  • Eserin durumunu sitenize ekleyin
  • Şu anda sergilenenler
  • Sanatçılar

Diğer

  • Müzeler ve galeriler
  • Sergiler
  • Dergi
  • Veriler nereden geliyor
  • Gizlilik ve çerezler
  • Hakkında
  • Kullanım koşulları
Ana sayfaHaritaGöz at

Göz at

Asitle oyma

130.252 eser 146 müzedenŞu anda 133 eser sergileniyorTümünü temizle

/
Teknik
  • Tümü
  • Asitle oyma130.252
  • Litografi89.179
  • Gravür63.364
  • Ahşap baskı56.703
  • Kuru kazı9.308
  • Serigrafi8.459
  • Akuatint7.452
  • Fotomekanik baskı6.933
  • Mezzotint6.751
  • Linol baskı2.658
Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona), Goya, 1799Francisco de GoyaPlate 4 from "Los Caprichos": Nanny's boy (El de la rollona)1799Metropoliten Sanat Müzesi
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799 (published 1908–12)Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799 (published 1908–12)Metropoliten Sanat Müzesi
General Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaGeneral Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro), Goya, 1799Francisco de GoyaPlate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)1799Metropoliten Sanat Müzesi
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya, 1816Francisco de GoyaPlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring1816Metropoliten Sanat Müzesi
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya, 1799Francisco de GoyaPlate 51 from "Los Caprichos": They spruce themselves up (Se repulen)1799Metropoliten Sanat Müzesi
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropoliten Sanat Müzesi
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya, 1816Francisco de GoyaPlate 11 from "La Tauromaquia": The Cid campeador spearing another bull1816Metropoliten Sanat Müzesi
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar), Goya, 1810–20, published 1863Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)1810–20, published 1863Metropoliten Sanat Müzesi
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya, ca. 1815 (published 1863)Francisco de GoyaPlate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)ca. 1815 (published 1863)Metropoliten Sanat Müzesi
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya, 1816Francisco de GoyaPlate 19 of "La Tauromaquia": Another madness of his in the same ring1816Metropoliten Sanat Müzesi
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810 (published 1863)Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)1814–15 (published 1863)Metropoliten Sanat Müzesi
Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento), Goya, 1799Francisco de GoyaPlate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)1799Metropoliten Sanat Müzesi
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 13 from "Los Caprichos": They are hot (Estan calientes), Goya, 1799Francisco de GoyaPlate 13 from "Los Caprichos": They are hot (Estan calientes)1799Metropoliten Sanat Müzesi
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Goya, 1816Francisco de GoyaPlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body1816Metropoliten Sanat Müzesi
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaRidiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)ca. 1815–19 (published before 1877)Metropoliten Sanat Müzesi
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra), Goya, 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual), Goya, 1799Francisco de GoyaPlate 5 from "Los Caprichos": Two of a kind (Tal para qual)1799Metropoliten Sanat Müzesi
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), Goya, 1810Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)1810Metropoliten Sanat Müzesi
Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya, 1799Francisco de GoyaPlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)1799Metropoliten Sanat Müzesi
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810Metropoliten Sanat Müzesi
Cruel Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCruel Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas), Goya, 1810 (published 1863)Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)1810 (published 1863)Metropoliten Sanat Müzesi
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDisorderly Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)1811–12 (published 1863)Metropoliten Sanat Müzesi
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)1811–12 (published 1863)Metropoliten Sanat Müzesi
Margaret of Austria on horseback, after Velázquez, Goya, 1778Francisco de GoyaMargaret of Austria on horseback, after Velázquez1778Metropoliten Sanat Müzesi
Carnival Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCarnival Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso), Goya, 1799Francisco de GoyaPlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)1799Metropoliten Sanat Müzesi
Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?), Goya, 1810 (published 1863)Francisco de GoyaPlate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)1810 (published 1863)Metropoliten Sanat Müzesi
Baltasar Carlos on horseback, Goya, 1778Francisco de GoyaBaltasar Carlos on horseback1778Metropoliten Sanat Müzesi
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya, 1816Francisco de GoyaPlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull1816Metropoliten Sanat Müzesi
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya, 1799Francisco de GoyaA bad night (Mala noche), plate 36 from "Los Caprichos"1799Metropoliten Sanat Müzesi
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropoliten Sanat Müzesi
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), Goya, 1810 (published 1863)Francisco de GoyaPlate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto), Goya, 1810 (published 1863)Francisco de GoyaPlate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)1810 (published 1863)Metropoliten Sanat Müzesi
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya, ca. 1815 (published after 1867)Francisco de Goya'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)ca. 1815 (published after 1867)Metropoliten Sanat Müzesi
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya, 1800–1804 (published 1828–67)Francisco de Goya'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)Metropoliten Sanat Müzesi
39