Parmigianinoİtalya, 1503–1540Aragosta
Görebilir miyim?
Bilinmiyor
“Aragosta” şu anda nerede? Koleksiyon: Galleria Estense, Modena. Bilinmiyor.
Modena, İtalya
Sahibi biliniyor; bugün sergilenip sergilenmediği bilinmiyor.
- Bu durumun başlangıcı
- Kaynak
- Müze
Eser hakkında
Müze metninin dili: İtalyanca
Questo disegno, già considerato di "Autore ignoto", è stato ricondotto al "corpus" grafico di Parmigianino da Mario di Giampaolo (1989, p. 70); si tratta infatti di uno dei numerosi studi realizzati dall'artista per la decorazione dell'arcone est della volta della chiesa di S. Maria della Steccta a Parma, iniziata nel 1531 e portata a termine nel 1539. Lo sudio di aragosta, che si rintraccia puntualmente nell'affresco, ha rivelato al verso, dopo il restauro del 1988, uno "studio di alberi" riconoscuto da Di Giampaolo a Parmigianino (1989, p. 70) e, indipendentemente, anche da T. Clifford (scritto sul supporto)
Galleria Estense
Ayrıntılar
- Envanter numarası
- 777
Neyi konu alıyor
Katalogda
Kaynaklar
- Galleria Estense
- Görsel: Galleria Estense — Soprintendenza archeologia belle arti e paesaggio per le province di Modena, Reggio Emilia e Ferrara · Beni Culturali Standard (BCS) · Catalogo generale dei Beni Culturali (ICCD – MiC)
Parmigianino: hayatındaki yeri
Tüm yaşam öyküsü11 Ocak 1503
Born
summer 1524
Travels to Rome with his uncles
According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.
1527
The Sack of Rome finds him at work
During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.
1531
Commissioned to decorate Santa Maria della Steccata
In May 1531 Parmigianino was commissioned to fresco the church of Santa Maria della Steccata in praise of the Virgin, with the Coronation as the main scene, and undertook to finish within eighteen months; the work stalled again and again over irregular supplies and the church administration's dislike of his unusual design. Other accounts say the commission was for two altarpieces, of Saint Joseph and Saint John the Baptist. The confraternity advanced him a salary.
1539
Jailed for breach of contract
Absorbed in alchemy (Vasari says the elegant, handsome man turned into a bearded, unkempt, almost savage recluse), the artist did little work in the church, and the Steccata confraternity, which had paid him in advance, had him imprisoned for two months. Released on his promise to finish the work, he again failed to keep it and fled Parma for the small town of Casalmaggiore.
24 Ağustos 1540
Died
