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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Третьяковская галерея, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (16 музеев), Парижские музеи (12 музеев) и Жоконда, база музеев Министерства культуры Франции (495 музеев). Изображения принадлежат правообладателям.

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Court lady singing and playing the vina, Muhammad Rizavi Hindi, ок. 1760Muhammad Rizavi HindiCourt lady singing and playing the vinaок. 1760Художественный музей Кливленда
A prince visiting a holy man in a rocky landscape, ок. 1590A prince visiting a holy man in a rocky landscapeок. 1590Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, Folio 113 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 113 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Saint Monica from an Augustinian altarpiece, Venetian, 1450/75VenetianSaint Monica from an Augustinian altarpiece1450/75Зал 237Чикагский институт искусств
Virgin and Child, Пинтуриккьо, ок. 1490–1500ПинтуриккьоVirgin and Childок. 1490–1500Художественный музей Кливленда
The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, ок. 1560The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Nightок. 1560Художественный музей Кливленда
The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night, ок. 1560The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Nightок. 1560Художественный музей Кливленда
Krishna Steals the Clothes of the Milkmaids and Expounds on the Virtue of Trees, from a Braj Bhagavata Purana, ок. 1650Krishna Steals the Clothes of the Milkmaids and Expounds on the Virtue of Trees, from a Braj Bhagavata Puranaок. 1650Художественный музей Кливленда
Todi Ragini, from a Ragamala Series, ок. 1750–1775Todi Ragini, from a Ragamala Seriesок. 1750–1775Художественный музей Кливленда
The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, ок. 1560The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Nightок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, Folio 27 (verso), from a Kalpa-sutra, ок. 1475–1500Text, Folio 27 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Text, folio 158 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 158 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Mahavira's Omniscience and First Teaching (Samavasarana), Folio 39 (verso), from a Kalpa-sutra, ок. 1475–1500Mahavira's Omniscience and First Teaching (Samavasarana), Folio 39 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, Basawan​, ок. 1560Basawan​The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Nightок. 1560Художественный музей Кливленда
The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot), ок. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)ок. 1560Художественный музей Кливленда
The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot), ок. 1560The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot)ок. 1560Художественный музей Кливленда
The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, ок. 1560The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Nightок. 1560Художественный музей Кливленда
Akbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar), Sur Das Gujarati, 1605–07Sur Das GujaratiAkbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar)1605–07Художественный музей Кливленда
Pichvai of Shri Nathji, 1825–50Pichvai of Shri Nathji1825–50Художественный музей Кливленда
Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra, ок. 1475–1500Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Vishnu in Female Form of Mohini Carrying Amrita for the Gods, ок. 1890Vishnu in Female Form of Mohini Carrying Amrita for the Godsок. 1890Художественный музей Кливленда
Text, Folio 145 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 145 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, Folio 44 (recto), from a Kalpa-sutra, ок. 1475–1500Text, Folio 44 (recto), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Text, Folio 109 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 109 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, Folio 41 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 41 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Panel from a Cassone: The Race of the Palio in the Streets of Florence, Джованни ди Франческо Тоскани, 1418Джованни ди Франческо ТосканиPanel from a Cassone: The Race of the Palio in the Streets of Florence1418Зал 117AХудожественный музей Кливленда
Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), Dharam Das, ок. 1602–1603Dharam DasCircumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)ок. 1602–1603Художественный музей Кливленда
The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, Dasavanta, ок. 1560DasavantaThe wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Nightок. 1560Художественный музей Кливленда
Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala, ок. 1650Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamalaок. 1650Художественный музей Кливленда
Krishna and Radha Avoid Embarrassment: Mottaita Bhava, from a Rasikapriya, ок. 1640Krishna and Radha Avoid Embarrassment: Mottaita Bhava, from a Rasikapriyaок. 1640Художественный музей Кливленда
Two Elephants Fighting in a Courtyard Before Muhammad Shah, Nainsukh, ок. 1730–1740NainsukhTwo Elephants Fighting in a Courtyard Before Muhammad Shahок. 1730–1740Художественный музей Кливленда
Text, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
The Heroine Who Waits Anxiously for Her Absent Lover: Utka Nayika, ок. 1734–1750The Heroine Who Waits Anxiously for Her Absent Lover: Utka Nayikaок. 1734–1750Художественный музей Кливленда
Miniature Excised from a Manuscript: St. Jerome in the Wilderness, ок. 1500Miniature Excised from a Manuscript: St. Jerome in the Wildernessок. 1500Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Icon of the New Testament Trinity, ок. 1450Icon of the New Testament Trinityок. 1450Зал 105Художественный музей Кливленда
Yusuf and Zulaykha (recto), from an Anthology of Persian Verses, including the Haft Awrang (Seven Thrones) of Jami: The Fifth Throne, ок. 1556–1565Yusuf and Zulaykha (recto), from an Anthology of Persian Verses, including the Haft Awrang (Seven Thrones) of Jami: The Fifth Throneок. 1556–1565Зал 116Художественный музей Кливленда
King Dasharatha confers with Kaikeyi, from the “Shangri” Ramayana, ок. 1700–1725King Dasharatha confers with Kaikeyi, from the “Shangri” Ramayanaок. 1700–1725Художественный музей Кливленда
The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, ок. 1560The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightок. 1560Художественный музей Кливленда
The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, ок. 1560The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Nightок. 1560Художественный музей Кливленда
Leaf Excised from a Psalter: The Ascension, ок. 1260Leaf Excised from a Psalter: The Ascensionок. 1260Художественный музей Кливленда
Sudhana and a buffalo, folio 115 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000 — XII векSudhana and a buffalo, folio 115 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)1000 — XII векХудожественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
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