In 1962/63 Amano started to use embossing (pushing the paper out from behind to create a raised surface) as a design element in his prints. In this case he embossed several circular and rectangular forms with varying amounts of force to achieve the level of three-dimensionality he desired.
![Без названия [musicians performing Owara-bushi], Amano Kazumi, конец 1950-х](https://img.artsmia.org/web_objects_cache/135000/400/70/135476/mia_8024040_800.jpg)
![Без названия [mountains, village, and boater], Amano Kazumi, конец 1950-х](https://img.artsmia.org/web_objects_cache/135000/700/00/135701/mia_8024027_800.jpg)
![Без названия [mountain scape with river], Amano Kazumi, конец 1950-х](https://img.artsmia.org/web_objects_cache/135000/400/70/135475/mia_8024041_800.jpg)
