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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Canto IV, Verse 294, William Blake after Mary Ann Flaxman, 1803William BlakeCanto IV, Verse 2941803Galeria Nacional de Arte
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793Galeria Nacional de Arte
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)1797Centro de Arte Britânico de Yale
"In happy copulation; if in evening mild, wearied with work..." (Plate 10), William Blake, 1793William Blake"In happy copulation; if in evening mild, wearied with work..." (Plate 10)1793Centro de Arte Britânico de Yale
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61), William Blake, 1804 to 1820William Blake"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)1804 to 1820Centro de Arte Britânico de Yale
A Little Boy Lost (Plate 43), William Blake, 1794William BlakeA Little Boy Lost (Plate 43)1794Centro de Arte Britânico de Yale
The Hermit's Dog, William Blake, 1805William BlakeThe Hermit's Dog1805Centro de Arte Britânico de Yale
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26), William Blake, 1804 to 1820William Blake"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)1804 to 1820Centro de Arte Britânico de Yale
"The secret coverts of Albion & the hidden places of America..." (Plate 49), William Blake, 1804 to 1820William Blake"The secret coverts of Albion & the hidden places of America..." (Plate 49)1804 to 1820Centro de Arte Britânico de Yale
A Little Girl Lost (Plate 44), William Blake, 1794William BlakeA Little Girl Lost (Plate 44)1794Centro de Arte Britânico de Yale
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, ca. 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)ca. 1797Centro de Arte Britânico de Yale
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)1797Centro de Arte Britânico de Yale
The Chaining of Orc, William Blake, 1812William BlakeThe Chaining of Orc1812Galeria Nacional de Arte
Family of Negro Slaves from Loango, William Blake after John Gabriel Stedman, 1793William BlakeFamily of Negro Slaves from Loango1793Galeria Nacional de Arte
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47), William Blake, 1804 to 1820William Blake"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)1804 to 1820Centro de Arte Britânico de Yale
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4), William Blake, 1793William BlakeVisions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)1793Centro de Arte Britânico de Yale
The Ecchoing Green (Plate 8), William Blake, 1789William BlakeThe Ecchoing Green (Plate 8)1789Centro de Arte Britânico de Yale
The First Book of Urizen, Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen, Title Page (Plate 1)1794Centro de Arte Britânico de Yale
"The Four Zoa's clouded rage..." (Plate 74), William Blake, 1804 to 1820William Blake"The Four Zoa's clouded rage..." (Plate 74)1804 to 1820Centro de Arte Britânico de Yale
"Then the Divine Vision like a silent Sun..." (Plate 29), William Blake, 1804 to 1820William Blake"Then the Divine Vision like a silent Sun..." (Plate 29)1804 to 1820Centro de Arte Britânico de Yale
Jerusalem, Tailpiece (Plate 100), William Blake, 1804 to 1820William BlakeJerusalem, Tailpiece (Plate 100)1804 to 1820Centro de Arte Britânico de Yale
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 11)1794Centro de Arte Britânico de Yale
Holy Thursday (Plate 38), William Blake, 1794William BlakeHoly Thursday (Plate 38)1794Centro de Arte Britânico de Yale
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88), William Blake, 1804 to 1820William Blake"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)1804 to 1820Centro de Arte Britânico de Yale
Joseph of Arimathea Preaching to the Britons, William Blake, c. 1794/1796William BlakeJoseph of Arimathea Preaching to the Britonsc. 1794/1796Galeria Nacional de Arte
Beggar's Opera, Act III, William Blake after William Hogarth, 1788/1790William BlakeBeggar's Opera, Act III1788/1790Galeria Nacional de Arte
"What do I see! The Briton Saxon Roman Norman..." (Plate 92), William Blake, 1804 to 1820William Blake"What do I see! The Briton Saxon Roman Norman..." (Plate 92)1804 to 1820Centro de Arte Britânico de Yale
The Human Abstract (Plate 46), William Blake, 1794William BlakeThe Human Abstract (Plate 46)1794Centro de Arte Britânico de Yale
"Thus Albion sat, studious of others..." (Plate 42), William Blake, 1804 to 1820William Blake"Thus Albion sat, studious of others..." (Plate 42)1804 to 1820Centro de Arte Britânico de Yale
Chapter 3 Frontispiece (Plate 51), William Blake, 1804 to 1820William BlakeChapter 3 Frontispiece (Plate 51)1804 to 1820Centro de Arte Britânico de Yale
"And none but Bromian can hear my lamentations..." (Plate 6), William Blake, 1793William Blake"And none but Bromian can hear my lamentations..." (Plate 6)1793Centro de Arte Britânico de Yale
"Then each an Arrow flaming from his Quiver..." (Plate 98), William Blake, 1804 to 1820William Blake"Then each an Arrow flaming from his Quiver..." (Plate 98)1804 to 1820Centro de Arte Britânico de Yale
"The Traveller hasteth in the Evening" (Plate 16), William Blake, 1826William Blake"The Traveller hasteth in the Evening" (Plate 16)1826Centro de Arte Britânico de Yale
Nurses Song (Plate 37), William Blake, 1794William BlakeNurses Song (Plate 37)1794Centro de Arte Britânico de Yale
Spring (Plate 26), William Blake, 1789William BlakeSpring (Plate 26)1789Centro de Arte Britânico de Yale
The Divine Image (Plate 12), William Blake, 1789William BlakeThe Divine Image (Plate 12)1789Centro de Arte Britânico de Yale
The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14], William Blake, c. 1796William BlakeThe Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]c. 1796Galeria Nacional de Arte
Dream of Thiralatha [from "America," cancelled plate d], William Blake, c. 1794/1796William BlakeDream of Thiralatha [from "America," cancelled plate d]c. 1794/1796Galeria Nacional de Arte
Illustration for Canto II, Charles Heath after Thomas Stothard, 1788William BlakeIllustration for Canto II1788Galeria Nacional de Arte
The Christian Triumph; Title Page, William Blake, ca. 1797William BlakeThe Christian Triumph; Title Pageca. 1797Centro de Arte Britânico de Yale
'Love, and love only, is the loan for love' (Page 37), William Blake, 1797William Blake'Love, and love only, is the loan for love' (Page 37)1797Centro de Arte Britânico de Yale
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, ca. 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)ca. 1797Centro de Arte Britânico de Yale
"Leaning against the pillars..." (Plate 32), William Blake, 1804 to 1820William Blake"Leaning against the pillars..." (Plate 32)1804 to 1820Centro de Arte Britânico de Yale
The First Book of Urizen, William Blake, 1794William BlakeThe First Book of Urizen1794Centro de Arte Britânico de Yale
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Centro de Arte Britânico de Yale
A Cradle Song (Plate 18), William Blake, 1789William BlakeA Cradle Song (Plate 18)1789Centro de Arte Britânico de Yale
'The longest night though longer far, would fail' (Page 15), William Blake, 1797William Blake'The longest night though longer far, would fail' (Page 15)1797Centro de Arte Britânico de Yale
'That touch, with charm celestial heals the soul' (Page 90), William Blake, ca. 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)ca. 1797Centro de Arte Britânico de Yale
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