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Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (16 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Court lady singing and playing the vina, Muhammad Rizavi Hindi, c. 1760Muhammad Rizavi HindiCourt lady singing and playing the vinac. 1760Museu de Arte de Cleveland
A prince visiting a holy man in a rocky landscape, c. 1590A prince visiting a holy man in a rocky landscapec. 1590Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Text, Folio 113 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 113 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Saint Monica from an Augustinian altarpiece, Venetian, 1450/75VenetianSaint Monica from an Augustinian altarpiece1450/75Sala 237Art Institute of Chicago
Virgin and Child, Pintoricchio, c. 1490–1500PinturicchioVirgin and Childc. 1490–1500Museu de Arte de Cleveland
The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Nightc. 1560Museu de Arte de Cleveland
Krishna Steals the Clothes of the Milkmaids and Expounds on the Virtue of Trees, from a Braj Bhagavata Purana, c. 1650Krishna Steals the Clothes of the Milkmaids and Expounds on the Virtue of Trees, from a Braj Bhagavata Puranac. 1650Museu de Arte de Cleveland
Todi Ragini, from a Ragamala Series, c. 1750–75Todi Ragini, from a Ragamala Seriesc. 1750–75Museu de Arte de Cleveland
The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560The pious man’s son presents the slain dragon to the king, from a Tuti-nama (Tales of a Parrot): Fifty-second Nightc. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Text, Folio 27 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 27 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, folio 158 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 158 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Mahavira's Omniscience and First Teaching (Samavasarana), Folio 39 (verso), from a Kalpa-sutra, c. 1475–1500Mahavira's Omniscience and First Teaching (Samavasarana), Folio 39 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night, Basawan​, c. 1560Basawan​The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560Museu de Arte de Cleveland
The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)c. 1560Museu de Arte de Cleveland
The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot)c. 1560Museu de Arte de Cleveland
The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Nightc. 1560Museu de Arte de Cleveland
Akbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar), Sur Das Gujarati, 1605–07Sur Das GujaratiAkbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar)1605–07Museu de Arte de Cleveland
Pichvai of Shri Nathji, 1825–50Pichvai of Shri Nathji1825–50Museu de Arte de Cleveland
Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra, c. 1475–1500Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Vishnu in Female Form of Mohini Carrying Amrita for the Gods, c. 1890Vishnu in Female Form of Mohini Carrying Amrita for the Godsc. 1890Museu de Arte de Cleveland
Text, Folio 145 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 145 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 44 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 44 (recto), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, Folio 109 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 109 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 41 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 41 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Panel from a Cassone: The Race of the Palio in the Streets of Florence, Giovanni Francesco Toscani, 1418Giovanni Francesco ToscaniPanel from a Cassone: The Race of the Palio in the Streets of Florence1418117A Italian RenaissanceMuseu de Arte de Cleveland
Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), Dharam Das, c. 1602–3Dharam DasCircumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)c. 1602–3Museu de Arte de Cleveland
The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, Dasavanta, c. 1560DasavantaThe wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560Museu de Arte de Cleveland
Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala, c. 1650Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamalac. 1650Museu de Arte de Cleveland
Krishna and Radha Avoid Embarrassment: Mottaita Bhava, from a Rasikapriya, c. 1640Krishna and Radha Avoid Embarrassment: Mottaita Bhava, from a Rasikapriyac. 1640Museu de Arte de Cleveland
Two Elephants Fighting in a Courtyard Before Muhammad Shah, Nainsukh, c. 1730–40NainsukhTwo Elephants Fighting in a Courtyard Before Muhammad Shahc. 1730–40Museu de Arte de Cleveland
Text, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 5 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
The Heroine Who Waits Anxiously for Her Absent Lover: Utka Nayika, c. 1734–50The Heroine Who Waits Anxiously for Her Absent Lover: Utka Nayikac. 1734–50Museu de Arte de Cleveland
Miniature Excised from a Manuscript: St. Jerome in the Wilderness, c. 1500Miniature Excised from a Manuscript: St. Jerome in the Wildernessc. 1500Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Icon of the New Testament Trinity, c. 1450Icon of the New Testament Trinityc. 1450105 ByzantineMuseu de Arte de Cleveland
Yusuf and Zulaykha (recto), from an Anthology of Persian Verses, including the Haft Awrang (Seven Thrones) of Jami: The Fifth Throne, c. 1556–65Yusuf and Zulaykha (recto), from an Anthology of Persian Verses, including the Haft Awrang (Seven Thrones) of Jami: The Fifth Thronec. 1556–65116 IslamicMuseu de Arte de Cleveland
King Dasharatha confers with Kaikeyi, from the “Shangri” Ramayana, c. 1700–1725King Dasharatha confers with Kaikeyi, from the “Shangri” Ramayanac. 1700–1725Museu de Arte de Cleveland
The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Museu de Arte de Cleveland
The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, c. 1560The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Nightc. 1560Museu de Arte de Cleveland
Leaf Excised from a Psalter: The Ascension, c. 1260Leaf Excised from a Psalter: The Ascensionc. 1260Museu de Arte de Cleveland
Sudhana and a buffalo, folio 115 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100sSudhana and a buffalo, folio 115 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)1000–1100sMuseu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
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