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Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (16 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Nightc. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Folio 22 from a Gandavyuha-sutra (Scripture of the Supreme Array): Samantabhadra spinning clouds of things (recto); Text (verso), 1000–1100sFolio 22 from a Gandavyuha-sutra (Scripture of the Supreme Array): Samantabhadra spinning clouds of things (recto); Text (verso)1000–1100sMuseu de Arte de Cleveland
Text, Folio 34 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 34 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Lakshmi and Sarasvati, c. 1890Lakshmi and Sarasvatic. 1890Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Bishop Saint from an Augustinian altarpiece, Venetian, 1450/75VenetianBishop Saint from an Augustinian altarpiece1450/75Sala 237Art Institute of Chicago
Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Museu de Arte de Cleveland
A Night Scene of Shiva Puja (recto), Muhammad Rizavi Hindi, c. 1760–70Muhammad Rizavi HindiA Night Scene of Shiva Puja (recto)c. 1760–70Museu de Arte de Cleveland
A mendicant bowing before a holy man, from the Prince Salim Album, Basavana, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900sBasavanaA mendicant bowing before a holy man, from the Prince Salim Albumc. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900sMuseu de Arte de Cleveland
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra, c. 1475–1500The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Text, Folio 92 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 92 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 40 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 40 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Text, folio 157 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 157 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 38 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 38 (recto), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Bishop Saint Enthroned, Allegretto Nuzi, 1360/70Allegretto NuziBishop Saint Enthroned1360/70Art Institute of Chicago
Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana, c. 1700–1725Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Puranac. 1700–1725Museu de Arte de Cleveland
The dream of Zulaykha, from the Amber Album, c. 1670The dream of Zulaykha, from the Amber Albumc. 1670Museu de Arte de Cleveland
The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)c. 1560Museu de Arte de Cleveland
Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), c. 1596–1597 or 1604Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)c. 1596–1597 or 1604Museu de Arte de Cleveland
Radha’s Confidante Brings Her to Krishna, based on poetry of Bihari (Indian, 1595–1663), c. 1790–1800Radha’s Confidante Brings Her to Krishna, based on poetry of Bihari (Indian, 1595–1663)c. 1790–1800Museu de Arte de Cleveland
A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso), c. 1710A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso)c. 1710Museu de Arte de Cleveland
Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso), c. 1610Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso)c. 1610Museu de Arte de Cleveland
Text, folio 50 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 50 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1517Page from Tales of a Parrot (Tuti-nama): text pagec. 1517Museu de Arte de Cleveland
Text, Folio 74 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 74 (verso), from a Kalpa-sutrac. 1475–1500Museu de Arte de Cleveland
Saints Augustine and Peter, Workshop of Paolo Veneziano, c. 1350Workshop of Paolo VenezianoSaints Augustine and Peterc. 1350Sala 237Art Institute of Chicago
Shah Jahan, Hashim, c. 1630Mir HashimShah Jahanc. 1630Museu de Arte de Cleveland
Radha and Krishna meet in the forest during a storm, c. 1770Radha and Krishna meet in the forest during a stormc. 1770Museu de Arte de Cleveland
The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Museu de Arte de Cleveland
The Morning Toilette, 1810–25The Morning Toilette1810–25Museu de Arte de Cleveland
The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Nightc. 1560Museu de Arte de Cleveland
Head of a Beauty, c. 1750Head of a Beautyc. 1750Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Folio 2, from a Kalpa-sutra: A Monk Preaching (recto); Text (verso), c. 1275Folio 2, from a Kalpa-sutra: A Monk Preaching (recto); Text (verso)c. 1275Museu de Arte de Cleveland
Text, folio 54 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 54 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Text, Folio 74 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 74 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Museu de Arte de Cleveland
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Museu de Arte de Cleveland
Jomfru Maria i afmagt sammen med de tre Maria'er ved Kristi sarkofag, Puccio di Simone, 1348-1352Puccio di SimoneJomfru Maria i afmagt sammen med de tre Maria'er ved Kristi sarkofag1348-1352Sala 201BMuseu Nacional de Arte da Dinamarca
Death of the Virgin, Master of Heiligenkreuz, c. 1400Master of HeiligenkreuzDeath of the Virginc. 1400111 German and Austrian GothicMuseu de Arte de Cleveland
Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso), Muhammad Rizavi Hindi, 1764Muhammad Rizavi HindiPosthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso)1764Museu de Arte de Cleveland
Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Sanwalah, c. 1590–1600SanwalahLayla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavic. 1590–1600Museu de Arte de Cleveland
Durga Slaying Mahisha, c. 1700–1710Durga Slaying Mahishac. 1700–1710Museu de Arte de Cleveland
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