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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, circa 1880
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

circa 1880 · Watercolour · 31.5 × 23.5 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

circa 1880
18661943
Número de inventário
BP.896

O que mostra

JugNatureza-morta

No catálogo

Desenhos e aguarelasAguarelaImpressionismoSéculo XIXGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de Beatrix Potter

A vida inteira
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  4. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  5. 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

Mais obras de Beatrix Potter

Todas as obras
Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

Cinderella's coach drawn by three pairs of rabbits

ca. 1890s · Não exposta · Museu Vitória e Alberto

Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Pumpkin carriage drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Cinderella's coach drawn by three pairs of rabbits

ca.1890s · Não exposta · Museu Vitória e Alberto

Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

Cecily Parsley’s Nursery Rhymes

early 20th century · Não exposta · Museu Vitória e Alberto

Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · Não exposta · Museu Vitória e Alberto

drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · Não exposta · Museu Vitória e Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · Não exposta · Museu Vitória e Alberto

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre o mesmo tema · Jug

Todas as obras sobre o tema
Study for "The Danaïdes", John Singer Sargent, 1922-1925

John Singer Sargent

Study for "The Danaïdes", 1922-1925

Não exposta · Galeria Nacional de Arte

Fruit, Jug, and a Glass, Jean Siméon Chardin, c. 1726/1728

Jean-Baptiste-Siméon Chardin

Fruit, Jug, and a Glass, c. 1726/1728

Galeria Nacional de Arte

Marigolds and Tangerines, Félix Vallotton, 1924

Félix Edouard Vallotton

Marigolds and Tangerines, 1924

Não exposta · Galeria Nacional de Arte

Kitchen Scene, Diego Velázquez, 1618/20

Diego Velázquez

Kitchen Scene, 1618/20

Art Institute of Chicago

My Gems, William Michael Harnett, 1888

William Michael Harnett

My Gems, 1888

Não exposta · Galeria Nacional de Arte

Still Life with Fruit and Wine Jug, Adolphe Joseph Thomas Monticelli, 1874

Adolphe Joseph Thomas Monticelli

Still Life with Fruit and Wine Jug, 1874

Não exposta · Art Institute of Chicago

At the Fountain, Cesare Agostino Detti, 1887

Cesare Agostino Detti

At the Fountain, 1887

Não exposta · Art Institute of Chicago

A Mother Feeding her Child (The Happy Mother), Willem van Mieris, 1707

Willem van Mieris

A Mother Feeding her Child (The Happy Mother), 1707

Não exposta · Art Institute of Chicago