ART WIKI33 040 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Waiting For Relief
Waiting For Relief, John Tenniel, 1894
John Tenniel, retratoJohn TennielReino Unido, 1820–1914

Waiting For Relief

1894 · Drawing · 15.8 × 20.7 cm

Sobre a obra

Tenniel's superb draughtsmanship is well illustrated in this drawing. It was published in Punch, in the issue for 27 January 1894, with the title, Waiting for Relief, and captioned, Turkey. "Hullo! You've all come to it, 'ave you? Why, I've been a Casual for years!". This caricature is a parody of a famous print by the painter Luke Fildes, entitled `Houseless and Hungry', published in the Graphic in 1869, and his later painting, Applicants for Admission to a Casual Ward, exhibited at the Royal Academy. Tenniel’s drawing satirises the economic and political difficulties that several European countries, including Britain, suffered in 1894. They are here portrayed as applicants for poor relief, now forced to join Turkey in the 'Casual Ward’, a temporary stay in the Workhouse.

Continuar a ler

For nearly half a century, Tenniel expressed national attitudes to the major political and social issues of the Victorian age through more than 2000 cartoons published weekly in Punch. He also contributed illustrations to many other books and periodicals, the best known being Lewis Carroll's Alice stories.

Museu Vitória e Alberto

Pormenores

1894 · aos 74 anos
18201914
Número de inventário
SD.1033

Mais obras de John Tenniel

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Caricature

Todas as obras sobre o tema

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 13 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

CaricatureIllustrationTsar Alexander IIISultan Abdul Hamid IIGladstone, William EwartFranz Joseph I (Emperor of Austria, Apostolic King of Hungary, King of Bohemia)Wilhelm II (German Emperor and King of Prussia)

No catálogo

Desenhos e aguarelasGrafiteImpressionismoSéculo XIXBritish SchoolOrientalismoGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Leonardo da Vinci: design for a mosaic in the Museum (the 'Kensington Valhalla'), John Tenniel, 1868

Leonardo da Vinci: design for a mosaic in the Museum (the 'Kensington Valhalla')

1868 · Museu Vitória e Alberto

The Seven Champions of Christendom, Sir John Tenniel, n.d.

The Seven Champions of Christendom

n.d. · Não exposta · Art Institute of Chicago

Leap Year, Britannia!, Sir John Tenniel, n.d.

Leap Year, Britannia!

n.d. · Não exposta · Art Institute of Chicago

The Modern Sphynx, John Tenniel, 19th century

The Modern Sphynx

19th century · Não exposta · Harvard Art Museums

Drawing, John Tenniel, ca. 1850

Drawing

ca. 1850 · Não exposta · Museu Vitória e Alberto

Abraham Lincoln -- Overdue Bill, John Tenniel, 1862

Abraham Lincoln -- Overdue Bill

1862 · National Portrait Gallery

Great Cannon Game, John Tenniel, 1863

Great Cannon Game

1863 · National Portrait Gallery

Mrs. North and Her Attorney, John Tenniel, 1864

Mrs. North and Her Attorney

1864 · National Portrait Gallery

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Foot and Hand, Roy Lichtenstein, 1964

Roy Lichtenstein

Foot and Hand, 1964

Não exposta · Galeria Nacional de Arte

CRAK!, Roy Lichtenstein, 1963/1964

Roy Lichtenstein

CRAK!, 1963/1964

Não exposta · Galeria Nacional de Arte

Mao, Roy Lichtenstein, 1971

Roy Lichtenstein

Mao, 1971

Não exposta · Galeria Nacional de Arte

Caricature of J.M. Whistler, Aubrey Beardsley

Aubrey Beardsley

Caricature of J.M. Whistler

Não exposta · Galeria Nacional de Arte

Lawyer, Honoré Daumier

Honoré Daumier

Lawyer

Não exposta · Galeria Nacional de Arte

Nayades de la Seine (Sea Nymphs of the Seine), Honoré Daumier, 1847

Honoré Daumier

Nayades de la Seine (Sea Nymphs of the Seine), 1847

Não exposta · Galeria Nacional de Arte

C'est unique! j'ai pris quatre tailles..., Honoré Daumier, 1840

Honoré Daumier

C'est unique! j'ai pris quatre tailles..., 1840

Não exposta · Galeria Nacional de Arte

Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

Honoré Daumier

Le Ventre Législatif (The Legislative Belly), 1834

Não exposta · Galeria Nacional de Arte